It's not exactly encouraging at the outset; plot development, dialogue, and scene writing alike all feel very thin, and one simply has to accept it at face value or immediately give up outright. David Birney spends a lot of scenes looking like a deer in the headlights, and some supporting cast members similarly don't come off well; in fairness, there are no few times when I can only question Geoffrey Reeve's choices as director. I recognize plenty of swell ideas in every regard, which I assume follow from Alistair MacLean's novel, but even the adapted screenplay has issues with narrative flow, nevermind particular instances of editing or sequencing. There is a complete, cohesive story being told, but the simple fact of the matter is that with the way 'Caravan to Vaccarès' is made, sometimes it really doesn't feel like it.
It all looks good, at least. There are many stunts and effects throughout, and they come off well; the filming locations and production design are excellent. The costume design, hair, and makeup are easy on the eyes; Stanley Myers' score isn't anything special, but it's enjoyable, and lends flavor. The narrative is actually fairly compelling, despite its weak cinematic treatment and the extraordinary leaps of faith it often requires as a viewer. Then again, even the heartiest suspension of disbelief can't withstand some of the storytelling decisions made here, and the Just So sensibilities that characterized the writing from the start collide with distinct dubious moments to place significant, low upper limits on one's engagement and entertainment. It would have taken astonishingly little to realize this as a satirical Euro-spy comedy, but no, it's an earnest action-adventure thriller. This poses a problem.
I don't think 'Caravan to Vaccarès' is altogether bad. It is, however, sadly middling, and even its best ideas just don't amount to much of anything. Insofar as it's enjoyable, it's a title one is able to enjoy very passively, without actively watching. There are worse ways to spend one's time, sure, but even if you're a major fan of someone involved, nor is there any specific reason to watch; Charlotte Rampling and Michel Lonsdale are rather wasted. Oh well. Check it out if you want, I won't stop you. Just don't get your hopes up.
It all looks good, at least. There are many stunts and effects throughout, and they come off well; the filming locations and production design are excellent. The costume design, hair, and makeup are easy on the eyes; Stanley Myers' score isn't anything special, but it's enjoyable, and lends flavor. The narrative is actually fairly compelling, despite its weak cinematic treatment and the extraordinary leaps of faith it often requires as a viewer. Then again, even the heartiest suspension of disbelief can't withstand some of the storytelling decisions made here, and the Just So sensibilities that characterized the writing from the start collide with distinct dubious moments to place significant, low upper limits on one's engagement and entertainment. It would have taken astonishingly little to realize this as a satirical Euro-spy comedy, but no, it's an earnest action-adventure thriller. This poses a problem.
I don't think 'Caravan to Vaccarès' is altogether bad. It is, however, sadly middling, and even its best ideas just don't amount to much of anything. Insofar as it's enjoyable, it's a title one is able to enjoy very passively, without actively watching. There are worse ways to spend one's time, sure, but even if you're a major fan of someone involved, nor is there any specific reason to watch; Charlotte Rampling and Michel Lonsdale are rather wasted. Oh well. Check it out if you want, I won't stop you. Just don't get your hopes up.