My review was written in June 1991 after watching the film at a Times Square screening room.
Pat Morita switches to a heavy role with excellent results in "Do or Die". Sixth entry in the "Malibu Express" series of campy actioners is a potent picture to titlllate home video and pay-cable audiences.
Due to a tough marketplace for smaller indies, this feature is getting only minimal theatrical exposure in Nahsville ahead of RCA/Columbia's video release. It's a shame since voyeuristic action audiences would get a kick out of "Do or Die' on the big screen.
Writer-director Andy Sidaris has a streamlined plot line this time, inspired by "The Most Dangerous Game". The pair of beautiful CIA underover operatives in Hawaii, Dona Speir and Roberta Vasquez, are informed by international gangster Pat Morita that he has assigned six two-man death squads to hunt them down in fair combat. It's a trial run for his plan for world domination.
Aided by a crack team organized by their boss William Bumiller, the Molokai-based duo trek to Nevada, Louisiana and Texas with the mercenary assassins in hot pursuit. It's not surprising to fans of this pic series that the macha femmes handily dispose of the villains, even in hand-to-hand combat during a climactic ninja battle. Morita's underplaying, aided by moody lighting by Mark Morris, lends panache to his scheming role and the "Karate Kid" star also has fuin in several scenes dallying romanticlally with his statuesque Asian-American assistant Carolyn Liu. Erik Estrada, the villain of the previous entry "Guins", is back in a new role as a good guy this time.
Full complement of movie veterans from this series is augmented by several impressive newcomers: notably Atlanta's extremely bosomy dancer Stephanie Schick who has a memorable, nearly NC-17 sex scene under a watefall with handsome series regular Michael Shaen; and Ava Cadell as a smug villainess quickly dispatched by Speir and Vasquez.
Sidaris changes the action series' balance by finding time for numerous sex and/or nud scenes no matter how perilous the situation. For action fans, excellent location work in atmospheric locales delivers the goods with motorcycle, speedboat and dune buggy chases. One highlight is a quarter-scale model airplane show in the Nevada desert to set the stage for model gimmickry a la James Bond flicks.
Tech credits are above average, giving this well-produced (by the director's wife, Arlene Sidris) picture a look and scale well beyond its modest budget.
Pat Morita switches to a heavy role with excellent results in "Do or Die". Sixth entry in the "Malibu Express" series of campy actioners is a potent picture to titlllate home video and pay-cable audiences.
Due to a tough marketplace for smaller indies, this feature is getting only minimal theatrical exposure in Nahsville ahead of RCA/Columbia's video release. It's a shame since voyeuristic action audiences would get a kick out of "Do or Die' on the big screen.
Writer-director Andy Sidaris has a streamlined plot line this time, inspired by "The Most Dangerous Game". The pair of beautiful CIA underover operatives in Hawaii, Dona Speir and Roberta Vasquez, are informed by international gangster Pat Morita that he has assigned six two-man death squads to hunt them down in fair combat. It's a trial run for his plan for world domination.
Aided by a crack team organized by their boss William Bumiller, the Molokai-based duo trek to Nevada, Louisiana and Texas with the mercenary assassins in hot pursuit. It's not surprising to fans of this pic series that the macha femmes handily dispose of the villains, even in hand-to-hand combat during a climactic ninja battle. Morita's underplaying, aided by moody lighting by Mark Morris, lends panache to his scheming role and the "Karate Kid" star also has fuin in several scenes dallying romanticlally with his statuesque Asian-American assistant Carolyn Liu. Erik Estrada, the villain of the previous entry "Guins", is back in a new role as a good guy this time.
Full complement of movie veterans from this series is augmented by several impressive newcomers: notably Atlanta's extremely bosomy dancer Stephanie Schick who has a memorable, nearly NC-17 sex scene under a watefall with handsome series regular Michael Shaen; and Ava Cadell as a smug villainess quickly dispatched by Speir and Vasquez.
Sidaris changes the action series' balance by finding time for numerous sex and/or nud scenes no matter how perilous the situation. For action fans, excellent location work in atmospheric locales delivers the goods with motorcycle, speedboat and dune buggy chases. One highlight is a quarter-scale model airplane show in the Nevada desert to set the stage for model gimmickry a la James Bond flicks.
Tech credits are above average, giving this well-produced (by the director's wife, Arlene Sidris) picture a look and scale well beyond its modest budget.