A movie beyond its cinematic presence, but matters also the director's outlook and the audience's interpretation - in plain words, you would give it a much higher rating if someone explains you it's historical context. Surprisingly, I find Tony Leung's performance in this film decent and slightly bland, maybe because his other works are simply too good, or maybe the performance of this movie across the board is all too flawless. As the eldest son myself, I specifically appreciated the character Wen-heung, a boisterous, truculent, and rugged man, yet also interestingly a child carer, a family adhesive, and a natural leader, whose unconstrained aggression engenders one's own tragedy. Regarding the movie itself, non-linear editing, picturesque sceneries, and long, still frames generate versatile atmospheres with a unique artistry. Also a historic fiction, the film gradually unravels an era of generational trauma using convoluted storylines and symbolic characters. In times of turmoil, perhaps it would be better if we are as deaf as Wen-ching or as bewildered as Wen-leung, like yielding grass that lives through scything gales. Definitely one of the most important chinese cinematic tribute worthy of deep-dive analyses and global recognition.
Review of A City of Sadness
