Must watch TV, brilliant from start to finish.
There is so much to love about this show so I'll try to summarise its strengths as best I can:
The only criticism of mine is perhaps that the first half of the first episode was a bit heavy with exposition as well as introduction to the boys and the concept, though I can understand that for viewers not familiar with their work, this sort of thing is pretty important.
It's great to see the ABC supporting genuine Australian talent and very clearly giving them the creative license to do what they do best.
This is comfortably one of the best television shows produced in Australia in a long time. This show and Kitty Flanagan's "Fisk" are helping to revive Australian comedy on TV in a manner it has so desperately needed for the last 10 years. Aunty Donna deserve all of the success and notoriety that the world can offer them, and hopefully enough people watch this for that to happen.
There is so much to love about this show so I'll try to summarise its strengths as best I can:
- Laughs per minute: The show is so often funny at such a consistent pace that you find yourself holding in your laughter to ensure that you don't miss a step, and then at the end of the scene letting it all out at once.
- Physical and visual comedy: Under-utilised nowadays, Aunty Donna are masters of incorporating both physical and visual cues to heighten the viewer experience. I can only imagine that there were still plenty of things I missed on this front, which only makes me keen to watch the series again.
- Narrative structure: Compared to the Netflix series, I really enjoyed the fact that (while still absurd and boundary-pushing at all times), this felt like a genuine sitcom. The B-plots in each of the episodes were really effective in breaking up the high intensity of everything else going on, with the Episode 2 subplot a standout.
- Characters and Performers: Needless to say the array of characters featured were so ridiculous yet relatable throughout. Having Gaby Seow's character as more of a straight man and allowing the three boys to do their thing was a great choice. As usual, the extended cast of Donna-adjacent performers were brilliant, with a special shout out to Michelle Brazier and Patrick Durnan Silva. In addition to the usual suspects, the guest stars were a very welcome addition and added another dimension to a few of the episodes. Sally-Anne Upton in particular was outstanding.
- Music: The theme song and the catchiness of all of the musical numbers show the depth of talent within the Donna crew and deserve a mention.
- Production: The refinement in the production of the show while capturing the essence and absurdity of everything happening on screen is a difficult balance to find I imagine, though it was done to perfection.
- Self-awareness: The inclusion of Zac breaking character on a few occasions, poking fun at themselves by implying a bit or a joke only to abandon it as not funny, and the many deep cuts included for the fans shows that they aren't taking themselves too seriously and allowing themselves and their audience to have fun and be in on the whole process.
The only criticism of mine is perhaps that the first half of the first episode was a bit heavy with exposition as well as introduction to the boys and the concept, though I can understand that for viewers not familiar with their work, this sort of thing is pretty important.
It's great to see the ABC supporting genuine Australian talent and very clearly giving them the creative license to do what they do best.
This is comfortably one of the best television shows produced in Australia in a long time. This show and Kitty Flanagan's "Fisk" are helping to revive Australian comedy on TV in a manner it has so desperately needed for the last 10 years. Aunty Donna deserve all of the success and notoriety that the world can offer them, and hopefully enough people watch this for that to happen.