Plot
A romantic date night is interrupted by screams for help, when a women frantically finds her way to the doorstep of complete two strangers.
Cast
Hard shrug I'm afraid
Verdict
It's so hard to review short films without entering the realms of spoiler territory, especially when the film is only 3 minutes long.
So Let Me In, not to be confused with the absolute embarrassment that was the US remake of Let the Right One in (2008) by the same name is a as mentioned 3 minute horror. It was directed by someone with almost no experience and written by someone whose career highlights include Planet of the Sharks from 2016, the abysmal Awaken the Shadowman (2017) and Zombie Tidal Wave (2019) which I just can't wait to get round to for all the wrong reasons.
It in the highly limited time it has available sees a woman fleeing from an attacker one night, she bangs on the door of the nearest house seeking aid and it looks like she's found it until dun dun dun the big twist which isn't so big but well enough handled.
Passably enough made, fairly novel and though more of a skit than a film there are worse ways of spending 3 minutes.
Breakdown + Well enough made
A romantic date night is interrupted by screams for help, when a women frantically finds her way to the doorstep of complete two strangers.
Cast
Hard shrug I'm afraid
Verdict
It's so hard to review short films without entering the realms of spoiler territory, especially when the film is only 3 minutes long.
So Let Me In, not to be confused with the absolute embarrassment that was the US remake of Let the Right One in (2008) by the same name is a as mentioned 3 minute horror. It was directed by someone with almost no experience and written by someone whose career highlights include Planet of the Sharks from 2016, the abysmal Awaken the Shadowman (2017) and Zombie Tidal Wave (2019) which I just can't wait to get round to for all the wrong reasons.
It in the highly limited time it has available sees a woman fleeing from an attacker one night, she bangs on the door of the nearest house seeking aid and it looks like she's found it until dun dun dun the big twist which isn't so big but well enough handled.
Passably enough made, fairly novel and though more of a skit than a film there are worse ways of spending 3 minutes.
Breakdown + Well enough made
- The writer is still terrible.