My review was written in November 1985 after a screening at a Loews theater in Coral Springs, Florida.
"Grunt! The Wrestling Movie" is an unfunny, amateurish feature, notable only as the first to be released of three recent productions tied to wrestling's new-found popularity.
Format slavishly imitates that of Rob Reiner's "This Is Spinal Tap". A documentary filmmaker, Lesley Uggams (Jeff Dial) is making a verite film about wrestler Mad Dog Joe Di Curso, who in 1979 accidentally decapitated opponent Skull Crusher Johnson in a match, after which he supposedly committed suicide. Six years later, a new "good guy" wrestler, The Mask, is thought to be Mad Dog Joe and Uggams boringly interviews anybody on the subject while incorporating old footage of Mad Dog in action and lensing The Mask's matches.
Screenwriter Roger D. Manning and director Allan Holzman err in merely presenting a series of cliches about wrestling, featuring unknown or relatively obscure wrestlers. The viewer may nod in recognition or perhaps nod off into slumberland, but for laughs the televised real matches are far more exaggerated and laugh-producing. Photography is alternately pretentious or incompetent, but mainly designed to lamely hide the fact (through low angle and smoked sets) that even at a massive 10-man elimination tournament are only about 20 extras in the audience for this low-budget opus, not the 20,000 who show up for the real thing. Artsy editing and other tech credit are way below par.
"Grunt! The Wrestling Movie" is an unfunny, amateurish feature, notable only as the first to be released of three recent productions tied to wrestling's new-found popularity.
Format slavishly imitates that of Rob Reiner's "This Is Spinal Tap". A documentary filmmaker, Lesley Uggams (Jeff Dial) is making a verite film about wrestler Mad Dog Joe Di Curso, who in 1979 accidentally decapitated opponent Skull Crusher Johnson in a match, after which he supposedly committed suicide. Six years later, a new "good guy" wrestler, The Mask, is thought to be Mad Dog Joe and Uggams boringly interviews anybody on the subject while incorporating old footage of Mad Dog in action and lensing The Mask's matches.
Screenwriter Roger D. Manning and director Allan Holzman err in merely presenting a series of cliches about wrestling, featuring unknown or relatively obscure wrestlers. The viewer may nod in recognition or perhaps nod off into slumberland, but for laughs the televised real matches are far more exaggerated and laugh-producing. Photography is alternately pretentious or incompetent, but mainly designed to lamely hide the fact (through low angle and smoked sets) that even at a massive 10-man elimination tournament are only about 20 extras in the audience for this low-budget opus, not the 20,000 who show up for the real thing. Artsy editing and other tech credit are way below par.