My review was written in February 1982 after a Times Square screening:
Filmed in 1978, "Dr. Jekyll's Dungeon of Death is a very strange takeoff on the Robert Louis Stevenson story, combining martial arts action with mad scientist and bondage motifs. Commercial prospects seem limited for this odd cheapie.
Set in San Francisco (no exteriors are used, however) arbitrarily in 1959, pic limns the demented behavior of the original Dr. Jekyll's grandson, portrayed by screenwriter James Mathers, with much eyebrow raising and eye-popping. He's experimenting with a serum for mind-control, worked on by his ancestor and later by Nazi scientists.
Oddity is film has no Mr. Hyde character and hence no transformations from Jekyll to Hyde, probably a first among the dozens of screen versions of the tale. Instead, Jekyll injects criminals (of both sexes and various races) with the serum, staging lengthy one on one kung fu fights in his basement between the "maddened" patients.
Helmer James Wood displays an unhealthy preoccupation with on-camera injections and stages the kung fu material listlessly with cheap direct-sound recording coming off more realistically in place of the usual dubbed, noisy sound effects. Despite a blonde in bondage for him to play with, film has no nudity to titillate the fans. Whole cast of corny horror stereotypes self-destructs in a silly, basement killing spree climax.
Wood handles most of the pic's tech credits himself, and his lighting is so bad that when the thesps miss their marks they are swallowed up in total darkness.
Set in San Francisco (no exteriors are used, however) arbitrarily in 1959, pic limns the demented behavior of the original Dr. Jekyll's grandson, portrayed by screenwriter James Mathers, with much eyebrow raising and eye-popping. He's experimenting with a serum for mind-control, worked on by his ancestor and later by Nazi scientists.
Oddity is film has no Mr. Hyde character and hence no transformations from Jekyll to Hyde, probably a first among the dozens of screen versions of the tale. Instead, Jekyll injects criminals (of both sexes and various races) with the serum, staging lengthy one on one kung fu fights in his basement between the "maddened" patients.
Helmer James Wood displays an unhealthy preoccupation with on-camera injections and stages the kung fu material listlessly with cheap direct-sound recording coming off more realistically in place of the usual dubbed, noisy sound effects. Despite a blonde in bondage for him to play with, film has no nudity to titillate the fans. Whole cast of corny horror stereotypes self-destructs in a silly, basement killing spree climax.
Wood handles most of the pic's tech credits himself, and his lighting is so bad that when the thesps miss their marks they are swallowed up in total darkness.