I love the films and television of Nicholas Winding Refn and within one episode I was fully back in his neon soaked, grimy, atmospheric world of static tableaux, the worst humans imaginable, extended circular pans and long signature pauses between speech or action.
I sometimes wonder if his effectively borderline mute protagonists are a direct criticism of people who use words too freely with no consideration.
As the mass Netflix crowd slowly find this I'm certainly expecting a slew of downvoting to occur and all the usual complaints about camerawork, lack of story, slowness and how quickly people fell asleep.
I hate these tragic people and equate them with the targets of Refn's scorn. The low, emotionally impotent, the unthinking and in this case thematically, the ultimate bottom-feeders, the pigs.
Basically if you like his previous work you will most likely love this too. It's been so long since the awesome Too Old to Die Young and you can see that he has certainly put those 4 years to good use.
I sometimes wonder if his effectively borderline mute protagonists are a direct criticism of people who use words too freely with no consideration.
As the mass Netflix crowd slowly find this I'm certainly expecting a slew of downvoting to occur and all the usual complaints about camerawork, lack of story, slowness and how quickly people fell asleep.
I hate these tragic people and equate them with the targets of Refn's scorn. The low, emotionally impotent, the unthinking and in this case thematically, the ultimate bottom-feeders, the pigs.
Basically if you like his previous work you will most likely love this too. It's been so long since the awesome Too Old to Die Young and you can see that he has certainly put those 4 years to good use.