Crowdfunded faux-exploitation flick Mad Heidi is intended as a bit of dumb OTT fun. With its endless gags on everything Swiss (especially cheese), it is definitely dumb, but it's not nearly as much fun as I had hoped, the joke quickly wearing thinner than a slice of Emmental. Like Iron Sky (2012), with which it shares a similar vibe, the film suffers from a weak script and bad acting, and it only delivers sporadic gore when it would benefit from pushing the limits further and further with each subsequent scene.
Alice Lucy plays Heidi, who has been living in the Swiss mountains with her grandfather ever since her parents were killed in a rebellion against President Meili (Casper Van Dien) and his Nazi-like regime. When Heidi's boyfriend Goat Peter (Kel Matsena) is killed for trading in illegal cheese, Heidi takes revenge and is jailed as a result. After a daring escape, Heidi throws herself over a waterfall and is presumed dead; however, she survives the plunge, and is trained how to fight back against her oppressors by Swiss goddess Helvetia.
Mad Heidi wears it's exploitation influences on its sleeve - there's Nazis, nuns, dwarfs, a training montage and WIP action (we even get an Asian prisoner who is #701) - but the result lacks the grit and grime of the genuine article, the film's effectiveness further weakened by the puerile comedic elements: there's only so much cheese-based humour I can take.
Alice Lucy plays Heidi, who has been living in the Swiss mountains with her grandfather ever since her parents were killed in a rebellion against President Meili (Casper Van Dien) and his Nazi-like regime. When Heidi's boyfriend Goat Peter (Kel Matsena) is killed for trading in illegal cheese, Heidi takes revenge and is jailed as a result. After a daring escape, Heidi throws herself over a waterfall and is presumed dead; however, she survives the plunge, and is trained how to fight back against her oppressors by Swiss goddess Helvetia.
Mad Heidi wears it's exploitation influences on its sleeve - there's Nazis, nuns, dwarfs, a training montage and WIP action (we even get an Asian prisoner who is #701) - but the result lacks the grit and grime of the genuine article, the film's effectiveness further weakened by the puerile comedic elements: there's only so much cheese-based humour I can take.