3/10
Bad writing about writing, unironically
1 October 2022
I was in for an alternate Secret Window, or something like it. This was even more contrived, and somehow snagged Guy Pearce and that guy from Lost who is usually alright. How? No idea. This script is just plain old not good.

A reclusive author of a book that supposedly revealed secrets to a man who became an active shooter and was sent to prison, is stalked, many years later, which subsequently unravels a thread bare plot about secrets kept by said author, and having to face new obstacles related to the secrets revealed.

Except... it is so contrived all the time because, well for one, he was a teacher of a writing class that hinged on a principle of writing that is so prosaic that it is only helpful for commercial fiction, basically. Which becomes quite ironic because it's a story that is about writing, specifically the conceit that when a person is understood well enough they can become as a character is situated in a story by the author. But there's no due diligence at all, the conceit is just offered and things spiral out from nonsense that isn't even attempted to be explained away, culminating in an even even more massively contrived finale than the inciting incident for this supposed arc.

It just doesn't work. I'm not sure it tries that hard to work, to be honest. All around it feels like a weak effort. Certainly none of the actors best performance. A throwaway effort on all fronts.
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