There comes a point in this documentary in which, talking about her stint at Fox in the 1950s, Joan Collins says she was a utility star: she got the part when a bigger star didn't want it. That pretty much sums up her career as recounted in this BBC documentary, in between the affairs and marriages, accompanied by film clips of other glamorous stars.
One of the compensations in not being the supernova is that you don't burn yourself out. You can work forever, following the natural course from Juliet to Lady Capulet to the Nurse. Also, every once in a while, you get the job because you haven't priced yourself out of the market, or because you can convince your sister to turn her best-seller into a screenplay that you can flog with a juicy role for yourself. Plus, there's the chance you get the role that turns you into a true star for a bit.
That's what happened to Miss Collins when she was cast in Dynasty, even though she notes that she was probably third or fourth choice. Being a utility star means you get to play a wide range of roles, and when one of them clicks, you make some hay while the sun shines. Otherwise, it's a typical life, with highs, lows, and an outsized appreciation of how to look good for the camera.
One of the compensations in not being the supernova is that you don't burn yourself out. You can work forever, following the natural course from Juliet to Lady Capulet to the Nurse. Also, every once in a while, you get the job because you haven't priced yourself out of the market, or because you can convince your sister to turn her best-seller into a screenplay that you can flog with a juicy role for yourself. Plus, there's the chance you get the role that turns you into a true star for a bit.
That's what happened to Miss Collins when she was cast in Dynasty, even though she notes that she was probably third or fourth choice. Being a utility star means you get to play a wide range of roles, and when one of them clicks, you make some hay while the sun shines. Otherwise, it's a typical life, with highs, lows, and an outsized appreciation of how to look good for the camera.