Pushing Hands (1991)
7/10
Avoiding sentimentality
10 September 2022
Warning: Spoilers
I admire Ang Lee's Pushing Hands because it takes its story up to a point where a more conventional film would have found an easy resolution to the plot, and then it doesn't go there. Mr. Chu (Sihung Lung), an elderly tai chi instructor, has come to America to live with Alex (Bozhao Wang) and Martha (Deb Snyder), his son and daughter-in-law. Mr. Chu speaks no English and Martha speaks no Mandarin, and when they're left alone together during the day, tensions flare. She's trying to write a novel - her first has just been published - but his presence in the small suburban house proves a constant distraction, a irritant that causes tension not only between Martha and her father-in-law, but also between husband and wife. Mr. Chu teaches tai chi at a local community center, where he makes friends with Mrs. Chen (Lai Wang), an elderly widow who likewise lives with her Americanized children. When things reach an explosive point at home, Alex decides to try making a match between his father and Mrs. Chen. Things seem to be going well in that direction: Both families go on a picnic together, and Mr. Chu uses some of his tai chi training to help Mrs. Chen with a pain she has in her shoulder. But just as we can see the conventional happy ending on the horizon, Mrs. Chen rebels against the matchmaking, expressing her own bitterness at being manipulated by others. This avoidance of sentimentality is what strengthens Lee's film, his first. It's an enormously likable movie, with a couple of flaws: Martha is written and played with more shrill edginess than is entirely credible. Couldn't an obviously intelligent woman married to a man who speaks Mandarin and whose small son is learning it have managed to learn at least a few phrases to communicate with her father-in-law? And Alex's destructive rage - he destroys the kitchen when the tensions get too high - feels a bit over the top.
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