A moving film about a girl reminiscing on a holiday to Turkey taken with her estranged father 20 years prior. The use of music is terrific, the two central performances are very touchingly delivered (Paul Mescal and the young Frankie Corio). It is one of the films of 2022. The fact this is Charlotte Wells' debut feature is nothing more than astonishing. She delivers massive assurance and confidence in direction, which pushes the narrative forward very tenderly as the girl (Sophie) tries to reconcile her relationship with her father Callum in two separate timelines.
Along the way we are given snippets of her father's troubles. Wells' very cleverly weaves in a subtext that works to a crescendo in the last 10 minutes which includes one of the most brilliant transition shots in recent cinema (not hyperbole, it really is brilliant). The viewer is invited to join the dots on what has happened between the two timelines and there are several clues that help.
Wells' debut has a familiarity with the work of fellow Scottish director Lynne Ramsay, and in particular her film 'Morvern Callar'. This feels lie the birth of another great director.
Along the way we are given snippets of her father's troubles. Wells' very cleverly weaves in a subtext that works to a crescendo in the last 10 minutes which includes one of the most brilliant transition shots in recent cinema (not hyperbole, it really is brilliant). The viewer is invited to join the dots on what has happened between the two timelines and there are several clues that help.
Wells' debut has a familiarity with the work of fellow Scottish director Lynne Ramsay, and in particular her film 'Morvern Callar'. This feels lie the birth of another great director.