Abel Gance in my mind was a pioneer of not just French cinema but cinema in general. All of his work is well worth the look and are visual and technical marvels, some of the techniques being one he pioneered. Some of his best works, 'Napoleon' being one of them, are revolutionary in not just silent film but also film of all kinds and are towering achievements. Is his work for all tastes? Not all, tending to be very long and sprawling with a lot of patience required.
'J'Accuse', released at a time where the First World War had just ended and where feelings were raw, is another great, near-masterwork, work of his. Not quite the towering achievement that is 'Napoleon' for example, but there is more than enough to show off what made him so great and important. Whether one likes it may be dependent on their opinion on war films, personally appreciate them a lot and while not one of my favourite war films (i.e. 'All Quiet on the Western Front') it is a genre milestone and important. It is still incredibly haunting and moving.
Maybe it does run a little too long, but overall 'J'Accuse's' emotional power and technical brilliance cannot be denied.
Visually, 'J'Accuse' looks amazing. Not just for back then, but also then. The editing is not as "unlike anything seen before" quality like the innovative editing in 'Napoleon' was, but it is still very fluid and the transitioning is practically seamless throughout. The sets are also beautiful to look at. The standout visually and technically though is the magnificent cinematography, very audacious with some very interesting and beautifully composed techniques. Also with some beautifully poetic shots in the more emotional moments. The music is haunting and fits well, not over-bearing or over-dramatic or sentimentalised.
Gance's direction is near-triumphant and superbly controlled. The story is still hard hitting and poignant and the message still resonates without preaching or being muddled. The war scenes are bold, wrench the gut and brought a lump to the throat and the long final scene is unforgettable in its eeriness and emotion. The acting is very good, not static or theatrical, while the characters were ones worth connecting with.
Overall, excellent. 9/10.
'J'Accuse', released at a time where the First World War had just ended and where feelings were raw, is another great, near-masterwork, work of his. Not quite the towering achievement that is 'Napoleon' for example, but there is more than enough to show off what made him so great and important. Whether one likes it may be dependent on their opinion on war films, personally appreciate them a lot and while not one of my favourite war films (i.e. 'All Quiet on the Western Front') it is a genre milestone and important. It is still incredibly haunting and moving.
Maybe it does run a little too long, but overall 'J'Accuse's' emotional power and technical brilliance cannot be denied.
Visually, 'J'Accuse' looks amazing. Not just for back then, but also then. The editing is not as "unlike anything seen before" quality like the innovative editing in 'Napoleon' was, but it is still very fluid and the transitioning is practically seamless throughout. The sets are also beautiful to look at. The standout visually and technically though is the magnificent cinematography, very audacious with some very interesting and beautifully composed techniques. Also with some beautifully poetic shots in the more emotional moments. The music is haunting and fits well, not over-bearing or over-dramatic or sentimentalised.
Gance's direction is near-triumphant and superbly controlled. The story is still hard hitting and poignant and the message still resonates without preaching or being muddled. The war scenes are bold, wrench the gut and brought a lump to the throat and the long final scene is unforgettable in its eeriness and emotion. The acting is very good, not static or theatrical, while the characters were ones worth connecting with.
Overall, excellent. 9/10.