The French Dispatch is a French subsidiary of a Kansas newspaper. Every week it provides articles from renowned journalists. When the long-serving editor dies, as per his wishes The French Dispatch closes but not before a final edition. In it are four articles, details of which the film illustrates.
I generally enjoy Wes Anderson's films and have seen all of them with Rushmore, The Fantastic Mr Fox and The Royal Tenenbaums being my favourites. They tend to be quirkily funny but can be difficult to get into. With his recent films Anderson has also amped up the special effects and cinematography, making the films visually more stylish and art-like.
This is not a problem as long as the visual effects don't replace a good plot. With The French Dispatch, that's exactly where the problem lies.
We have a central story - the final edition of a newspaper - plus four sub-stories (the four articles) none of which prove to be very engaging. Things just happen, sometimes in very haphazard, random ways with no attempt to draw in the audience. While quirky, none of the stories are funny enough to make the film a comedy and carry it that way.
The cinematography and special effects are stunning but without a decent plot and level of engagement they're just nice-to-look-at images, bereft of meaning.
Also can't fault the cast which is heavily star-laden: Benicio Del Toro, Bill Murray (as always, for a Wes Anderson film), Adrien Brody, Tilda Swinton, Frances McDormand, Lea Seydoux, Timothee Chalamet, Jeffrey Wright, Owen Wilson, Bob Balaban, Henry Winkler, Elisabeth Moss, Christoph Waltz, Alex Lawther, Liev Schreiber, Willem Dafoe, Edward Norton, Saoirse Ronan, Jason Schwartzman. Such is the saturation of stars that some only appear for 20 seconds or so!
I generally enjoy Wes Anderson's films and have seen all of them with Rushmore, The Fantastic Mr Fox and The Royal Tenenbaums being my favourites. They tend to be quirkily funny but can be difficult to get into. With his recent films Anderson has also amped up the special effects and cinematography, making the films visually more stylish and art-like.
This is not a problem as long as the visual effects don't replace a good plot. With The French Dispatch, that's exactly where the problem lies.
We have a central story - the final edition of a newspaper - plus four sub-stories (the four articles) none of which prove to be very engaging. Things just happen, sometimes in very haphazard, random ways with no attempt to draw in the audience. While quirky, none of the stories are funny enough to make the film a comedy and carry it that way.
The cinematography and special effects are stunning but without a decent plot and level of engagement they're just nice-to-look-at images, bereft of meaning.
Also can't fault the cast which is heavily star-laden: Benicio Del Toro, Bill Murray (as always, for a Wes Anderson film), Adrien Brody, Tilda Swinton, Frances McDormand, Lea Seydoux, Timothee Chalamet, Jeffrey Wright, Owen Wilson, Bob Balaban, Henry Winkler, Elisabeth Moss, Christoph Waltz, Alex Lawther, Liev Schreiber, Willem Dafoe, Edward Norton, Saoirse Ronan, Jason Schwartzman. Such is the saturation of stars that some only appear for 20 seconds or so!