The interest of French cinema for social problems is old. In many films, it becomes start of a sort of manifestos. Not the case about Carole Matthieu. Because it is only direct, precise perspective to near reality, every day one, showing people as consumable, ignoring the life, health, interests, imposing pressure of performance, proposing blank, stupid, cold explanations, defining the interest of company as the only reasonable. So, pure realism.
Isabelle Adjani is just impressive in main role. Because you feel her in situations and fights so closed by yourself. Because he works her character like a potter the clay. Because the message is obvious , clear and desperate. Because you feel, in some measure, be a story about yourself and the end is the cry , maybe, too familiar from stories of friends, relatives or yours. A great wake up or testimony or reflection of small things creating the truth.
So, the salt of reality and admirable performance of unique Adjani.
Isabelle Adjani is just impressive in main role. Because you feel her in situations and fights so closed by yourself. Because he works her character like a potter the clay. Because the message is obvious , clear and desperate. Because you feel, in some measure, be a story about yourself and the end is the cry , maybe, too familiar from stories of friends, relatives or yours. A great wake up or testimony or reflection of small things creating the truth.
So, the salt of reality and admirable performance of unique Adjani.