Robert Cummings and Susan Hayward star in "The Lost Moment" also starring Agnes Moorhead, Joan Lorring, and Eduardo Cianelli.
Cummings plays Lewis Venable, a New York publisher visiting Venice with the goal of getting his hands on the love letters of a poet from the 19th Century, Jeffrey Ashton. The passionate letters were betwen Ashton and Juliana Bordereau.
Venable, under an assumed name, rents a room in the Bordereau house, a kind of grand guignol, dark place. Juliana (Moorhead) by this time is 105 years old and a recluse. She is being cared for by a niece, Tina, a woman who never smiles and is very strict. She obviously does not want Venable in the house. However, the family needs the money.
One night he hears music from somewhere in the house. Walking through the garden, he finally traces it to the embodiment of the young Juliana, a graceful woman with beautiful red hair falling around her shoulders, and she is wearing a beautiful gown It's Tina, who somehow steps into the past and becomes Juliana when she enters the room. To her, he is Jeffrey.
The family priest (Cianelli) warns Venable to ne careful rather than distroy Tina's loose hold on reality. But Venable wants those letters; he wants to know where they're hidden, and he plans on taking them.
I really enjoyed this. Robert Cummings is a lightweight and wrong for this - I would have loved to have seen Tyrone Power do it - but Susan Hayward was excellent in a dual role, and very beautiful.
Cummings plays Lewis Venable, a New York publisher visiting Venice with the goal of getting his hands on the love letters of a poet from the 19th Century, Jeffrey Ashton. The passionate letters were betwen Ashton and Juliana Bordereau.
Venable, under an assumed name, rents a room in the Bordereau house, a kind of grand guignol, dark place. Juliana (Moorhead) by this time is 105 years old and a recluse. She is being cared for by a niece, Tina, a woman who never smiles and is very strict. She obviously does not want Venable in the house. However, the family needs the money.
One night he hears music from somewhere in the house. Walking through the garden, he finally traces it to the embodiment of the young Juliana, a graceful woman with beautiful red hair falling around her shoulders, and she is wearing a beautiful gown It's Tina, who somehow steps into the past and becomes Juliana when she enters the room. To her, he is Jeffrey.
The family priest (Cianelli) warns Venable to ne careful rather than distroy Tina's loose hold on reality. But Venable wants those letters; he wants to know where they're hidden, and he plans on taking them.
I really enjoyed this. Robert Cummings is a lightweight and wrong for this - I would have loved to have seen Tyrone Power do it - but Susan Hayward was excellent in a dual role, and very beautiful.