Every actor needs a breakthrough role and Jean Rochefort's finally came courtesy of director Yves Robert in this slight but utterly delightful piece. The character of Etienne Dorsay affords the marvellous Monsieur Rochefort the opportunity to employ his innate quirkiness, eccentricity, Gallic charm and comedic timing to the fullest.
This is essentially a 'buddy' movie featuring a marriage break-up, a domineering mother and one of the buddies coming out of the closet but the scenes that work best are those involving Etienne, his wife, played by the lovely and talented Daniele Delorme, the object of his desire Anny Duperey who possesses that 'je ne sais quoi' in spades and Martine Sarcey as a libidinous colleague who resents being repeatedly stood up. Especially funny are Etienne's antics on horseback. Rochefort was in fact a keen equestrian and horse breeder who developed a passion for these noble creatures whilst filming 'Cartouche'.
Dialogue is by Jean-Loup Dapadie who contributed to so many of Claude Sautet's films, including the archetypal 'buddy' movie 'Vincent, Francois, Paul et les autres'.
The sequel alas worked less well but that is customarily the case with sequels and eight years were to elapse before the obligatory Hollywood makeover. Whether the result was worth the wait is of course down to the individual viewer.
This is essentially a 'buddy' movie featuring a marriage break-up, a domineering mother and one of the buddies coming out of the closet but the scenes that work best are those involving Etienne, his wife, played by the lovely and talented Daniele Delorme, the object of his desire Anny Duperey who possesses that 'je ne sais quoi' in spades and Martine Sarcey as a libidinous colleague who resents being repeatedly stood up. Especially funny are Etienne's antics on horseback. Rochefort was in fact a keen equestrian and horse breeder who developed a passion for these noble creatures whilst filming 'Cartouche'.
Dialogue is by Jean-Loup Dapadie who contributed to so many of Claude Sautet's films, including the archetypal 'buddy' movie 'Vincent, Francois, Paul et les autres'.
The sequel alas worked less well but that is customarily the case with sequels and eight years were to elapse before the obligatory Hollywood makeover. Whether the result was worth the wait is of course down to the individual viewer.