9/10
Pan Southeast Asian Epic, Starring a New Disney Warrior-Princess
7 November 2021
Warning: Spoilers
This is very much a standard Disney Princess movie for our time: not only is Raya self-assertive, a-la-Rapunzel in Tangled, and resisting traditional societal expectations for girls, a-la-Mulan, or Merida in Brave (or even Elsa in Frozen); she seems not to need such resistance at all, but simply walks into a warrior role, leading an action-adventure, a-la-Moana, that, 30 years ago, would normally have been conducted by a boy/man. Raya's main enemy is another warrior-princess and her mother; there is no love interest (a-la-Elsa and Moana), but a strong relationship with her father, which she attempts to restore by turning him back from stone.

Another interesting aspect of this movie is its marketing as Southeast Asian. From what I can tell by reading articles about it, the mythology is not strongly tied to a particular Southeast Asian country, language/tradition, or myth, but draws on many, as is also reflected in the creative team and voice actors. That is very similar to the pan-South American approach found in another animated project released this year, Maya and the Three. And both are very much like Game of Thrones, which draws on a vaguely European mythology, without being closely beholden to any particular aspect of it. And that, I think, is as it should be, even if more faithful representations of myths and traditions should have their place in entertainment too.
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