I really like Johnny Vegas (Ideal) and Sian Gibson (Car Share) and did actually like their previous two outings as a crime solving duo. This one really left me feeling underrated though. I think if I were to read the script on paper, I would have found some of the dialogue and scenarios pretty funny and no doubt I'm sure the cast had a laugh whilst filming it. But something about the way it was ultimately transcribed to screen has somehow really sucked the humour out of it. This is strange since it was directed by Ed Bye who has done some fantastic stuff with Red Dwarf.
My general gripe is the way the dialogue just seems to be a cascade of gags which fail to hit the mark more often than not, but do very much succeed in clawing you out of any moment you feel like you might actually be engaging with the plot. You end up with a general apathy from being forced to find the comedic side in every situation, even a grizzly murderous rampage. Gemma's character came across as more of a two-dimensional annoyance to Terry's constant miffed persona more than anything else. I found myself willing for her to be the next victim quite often, just for some peace from her relentless inane commentary and overacting.
The scenes between her and Terry stretch the absurd to further inject more relentless comedy, but unfortunately this sacrifices the chemistry they used to have on screen and makes their pairing seem even more unrealistic. You end up yearning for a bit of real non-shock value dialogue to ground the story line and it just isn't there.
Instead you just get character after character, pushing every line they've been given to the extreme as if somehow trying to showcase their resume. The story struggles to move on in a cohesive manner when you just have a collection of acting cameos that are nothing but escalating performances of nonsense jigsawed together. This might have been better reserved for Panto as it certainly doesn't work for me as a TV Viewer.
My general gripe is the way the dialogue just seems to be a cascade of gags which fail to hit the mark more often than not, but do very much succeed in clawing you out of any moment you feel like you might actually be engaging with the plot. You end up with a general apathy from being forced to find the comedic side in every situation, even a grizzly murderous rampage. Gemma's character came across as more of a two-dimensional annoyance to Terry's constant miffed persona more than anything else. I found myself willing for her to be the next victim quite often, just for some peace from her relentless inane commentary and overacting.
The scenes between her and Terry stretch the absurd to further inject more relentless comedy, but unfortunately this sacrifices the chemistry they used to have on screen and makes their pairing seem even more unrealistic. You end up yearning for a bit of real non-shock value dialogue to ground the story line and it just isn't there.
Instead you just get character after character, pushing every line they've been given to the extreme as if somehow trying to showcase their resume. The story struggles to move on in a cohesive manner when you just have a collection of acting cameos that are nothing but escalating performances of nonsense jigsawed together. This might have been better reserved for Panto as it certainly doesn't work for me as a TV Viewer.