Old joke in film class is that the cheapest indie to make is filming two people talking on a park bench. God provides the lighting, the park provides the set, and luck provides the stars. In this one, it looks at first glance like Randy Van Dyke is going for the Guinness Record in cheap indies ... and then the twists come. Taking a page from the Joss Whedon school of genre deconstruction, Van Dyke keeps things moving briskly, making sure the viewer never gets bored. And that, in a nutshell, is the charm of this oddball extreme-low-budget production.