Gentlemen of the Press is a very early talkie, and boy, does it show. There are long pauses in between dialogue, as though the actors are waiting for the director to talk to them or for the title card to cut them off. Director Millard Webb continually cuts off the actors' heads while framing his long shots. But, if you want to see Walter Huston and Kay Francis in their film debuts, there's only one movie you can rent.
Walter plays a newspaper man who values his career above all else. He's been completely absent from his daughter's life, with only snapshots to remind him of her appearance. After an eight-year period of no contact, he finds out about her marriage while writing about it in the paper. She comes to his office to introduce her new husband, and after a few minutes, he gets distracted by a hot tip and waves them off as he returns to his typewriter.
In the meantime, he has a lukewarm affair with society dame Kay Francis. She turns heads every time she enters a room, and Walter's perpetually drunk pal, Charles Ruggles, paws her. "Come up to my apartment sometime and fight for your honor," he slurs. If you've ever wondered why Charlie got typecast as the comic drunk in his early movies, you can trace it back to this one. This is the first movie I've seen where he actually has brown hair, and it's also his first talkie. Oh, and don't blink, otherwise you'll miss seeing Brian Donlevy for five minutes.
I couldn't bring myself to turn this movie off, even though I desperately wanted to. Nothing about it showed good quality, not even the actors who later turned out to be great professionals in every film. I couldn't believe my eyes, seeing Kay Francis and Walter Huston awkwardly swinging their arms at their sides as they try to avoid looking in the camera. Walter Huston was green, once? Where was the incomparable actor we all came to love by the time 1932 came around? It turns out, he makes an appearance in Gentlemen of the Press after all. In the very last scene makes the movie, he brings out the big guns and shows audiences his mesmerizing acting chops.
Walter plays a newspaper man who values his career above all else. He's been completely absent from his daughter's life, with only snapshots to remind him of her appearance. After an eight-year period of no contact, he finds out about her marriage while writing about it in the paper. She comes to his office to introduce her new husband, and after a few minutes, he gets distracted by a hot tip and waves them off as he returns to his typewriter.
In the meantime, he has a lukewarm affair with society dame Kay Francis. She turns heads every time she enters a room, and Walter's perpetually drunk pal, Charles Ruggles, paws her. "Come up to my apartment sometime and fight for your honor," he slurs. If you've ever wondered why Charlie got typecast as the comic drunk in his early movies, you can trace it back to this one. This is the first movie I've seen where he actually has brown hair, and it's also his first talkie. Oh, and don't blink, otherwise you'll miss seeing Brian Donlevy for five minutes.
I couldn't bring myself to turn this movie off, even though I desperately wanted to. Nothing about it showed good quality, not even the actors who later turned out to be great professionals in every film. I couldn't believe my eyes, seeing Kay Francis and Walter Huston awkwardly swinging their arms at their sides as they try to avoid looking in the camera. Walter Huston was green, once? Where was the incomparable actor we all came to love by the time 1932 came around? It turns out, he makes an appearance in Gentlemen of the Press after all. In the very last scene makes the movie, he brings out the big guns and shows audiences his mesmerizing acting chops.