8/10
That gentle Kore-eda magic
3 May 2021
Such a gentle, sad film. It's a story of letting a good life slip away not through a single bad decision, but by a succession of small ones, something we learn about a guy (Hiroshi Abe) only gradually. He's quite a deadbeat, gambling away money when he gets his hands on it, not paying his child support or rent, and stealing things from his widowed mother (Kirin Kiki) to take to the pawn shop. He's a hard guy to like or sympathize with, and a disappointment to everyone around him, most touchingly his ex-wife (Yoko Maki) and son.

Kore-eda wisely doesn't turn the film into a melodrama by trying to explain everything that's happened in these people's lives, but we can connect some of the dots with what he shows us. I wondered if the main character had known that his father was secretly proud of the book he had written, whether that would have made a difference in how he turned out. Maybe that's one of the saddest things, being aware of failure but seemingly unable (or unwilling) to take control and start taking positive steps again.

Kiki is wonderful in her part, shining especially in a flash of emotion where she wonders how things could have ended up this way. The moment where his son innocently asks him "are you who you wanted to be?" hits pretty hard too. And yet, none of them demonize him, and I'm pretty sure I judged him more than they did, even if his ex-wife stood up to all his BS pretty well. That's part of Kore-eda's magic, to be so incredibly gentle and accepting despite dealing with dark subjects. He also doesn't offer any excuses or a flimsy feel-good resolution. We can decide for ourselves what will happen with these characters, much as we have control over at least some of the decisions in our lives.
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