Zangiku Monogatari / The Story of the Last Chrysanthemum (1939) :
Brief Review -
A Classic heartbreaker of Artist's Life. Undoubtedly, Kenji Mizogushi's Greatest Pre-War film. Mizogushi is one of the most respected director of his time, not only in Japanese cinema but also all over the globe. Many people know him for films like Ugetsu (1953), Sansho The Bailiff (1954), The Crucified Lovers (1956) and many others but it is always important to see the early great works of any acclaimed director because that's where he starts exploring new ideas and techniques with unshaken dedication. I am glad to have seen his early work and in my opinion, The Story of the Last Chrysanthemum is far better than those three highly appreciated films. The adopted son of a legendary actor, and an aspiring star himself, turns to his infant brother's wet nurse for support and affection - only for her to give up everything for her beloved's glory. The film is a true heartbreaker in every sense when it comes to the climax and the theatrical backdrop also provides it a metaphorical touch. I have seen many other classics which has been inspired from this film but the original always remains special and best. Shotaro Hanayagi and Kakuko Mori create a heart-touching chemistry and theirs perfomances make it even more lovable. The side roles are very important and powerful in the film and every actor gives his best, even in small roles. Hats off to Kenji Mizoguchi for creating such an emotional film despite using new methods of filmmaking such as long shots, one take frames and refusals to give close-up shots. It's just fabulous in every department that it's very difficult to find a mistake but as a cine lover i love these moments when you don't have any complaints for the film. Overall, a Cult Classic Japanese Flick that shouldn't be missed for anything.
RATING - 8.5/10*
By - #samthebestest.
A Classic heartbreaker of Artist's Life. Undoubtedly, Kenji Mizogushi's Greatest Pre-War film. Mizogushi is one of the most respected director of his time, not only in Japanese cinema but also all over the globe. Many people know him for films like Ugetsu (1953), Sansho The Bailiff (1954), The Crucified Lovers (1956) and many others but it is always important to see the early great works of any acclaimed director because that's where he starts exploring new ideas and techniques with unshaken dedication. I am glad to have seen his early work and in my opinion, The Story of the Last Chrysanthemum is far better than those three highly appreciated films. The adopted son of a legendary actor, and an aspiring star himself, turns to his infant brother's wet nurse for support and affection - only for her to give up everything for her beloved's glory. The film is a true heartbreaker in every sense when it comes to the climax and the theatrical backdrop also provides it a metaphorical touch. I have seen many other classics which has been inspired from this film but the original always remains special and best. Shotaro Hanayagi and Kakuko Mori create a heart-touching chemistry and theirs perfomances make it even more lovable. The side roles are very important and powerful in the film and every actor gives his best, even in small roles. Hats off to Kenji Mizoguchi for creating such an emotional film despite using new methods of filmmaking such as long shots, one take frames and refusals to give close-up shots. It's just fabulous in every department that it's very difficult to find a mistake but as a cine lover i love these moments when you don't have any complaints for the film. Overall, a Cult Classic Japanese Flick that shouldn't be missed for anything.
RATING - 8.5/10*
By - #samthebestest.