One reviewer gave this episode low marks for being "too British," but that's exactly the reason why I gave it a "nine." It takes on two quintessential British institutions - the military and the "gentleman's gentleman" - and mixes them up with the usual dash of murder and espionage. Sure, it's a little silly, but isn't it fun to see Steed showing up with various styles of facial hair to match the man he's going to interview? How about the "butling school," in which stuffy butlers practice answering the door or ironing the master's trousers? And then there's the delightful scene in which Emma fends off the advances of Denis Quilley, with the help of Steed (as butler) interrupting the proceedings for an endless string of reasons? There are plenty of British eccentrics and other stereotypical characters, which are hallmarks of the series.
I should also point out the huge contribution of composer Laurie Johnson, who wrote many new "military-style" music cues for this episode. My favorite was early on, when the "Sailor's Hornpipe" is pitted contrapuntally against the Avengers theme. He was an expert with brass writing, and it shows in this score.
There are many kinds of episodes in THE AVENGERS canon, from the truly frightening to the light and airy. This one falls at the latter end of the spectrum, but is no less of an episode for all that.
I should also point out the huge contribution of composer Laurie Johnson, who wrote many new "military-style" music cues for this episode. My favorite was early on, when the "Sailor's Hornpipe" is pitted contrapuntally against the Avengers theme. He was an expert with brass writing, and it shows in this score.
There are many kinds of episodes in THE AVENGERS canon, from the truly frightening to the light and airy. This one falls at the latter end of the spectrum, but is no less of an episode for all that.