There's something special about humanist cinema, and without Hirokazu Koreeda it would be incomplete. Whether it be a dsyfunctional family (Shoplifters) or my personal favourite, choosing one special memory to have it replayed before your eyes (After Life), Koreeda taps into the soul of life.
Distance is no different. It is presented with lingering questions through the eyes of deceased cult member relatives - and like a jigsaw it trys to piece together the aftermath of the horrific tradegy. We get to know each different relationship that was affected by the cult; interesting as most stories focus more on the cult members and or cult leader themselves. In that regard it allows us to understand the cult structure more than simply seeing it as a brain washing machine.
With raw cinematography and the Koreeda special documentary style filmmaking, Distance shows us the truth that cult members saw, and the truth of their brothers, sisters, wifes and husbands. It is a film of contrast, but captures it perfectly.
Distance is no different. It is presented with lingering questions through the eyes of deceased cult member relatives - and like a jigsaw it trys to piece together the aftermath of the horrific tradegy. We get to know each different relationship that was affected by the cult; interesting as most stories focus more on the cult members and or cult leader themselves. In that regard it allows us to understand the cult structure more than simply seeing it as a brain washing machine.
With raw cinematography and the Koreeda special documentary style filmmaking, Distance shows us the truth that cult members saw, and the truth of their brothers, sisters, wifes and husbands. It is a film of contrast, but captures it perfectly.