Review of Matango

Matango (1963)
7/10
You know when you've been Matango'd.
9 February 2021
The first half of Matango (AKA Attack of the Mushroom People) is rather mundane, but the second half is such a weird, one-of-a-kind experience that I ended up having a lot of fun(gi) with it.

Directed by kaiju legend Ishirô Honda, Matango is far removed from his Godzilla movies: it's an Invasion of the Bodysnatchers-inspired tale imbued with an otherworldly Lovecraftian atmosphere, in which seven people wind up on a strange, fog-shrouded, deserted island after a storm trashes their yacht. The group explore the island and set up base in a wrecked scientific ship found stranded on the beach. With food in short supply, and no sign of rescue, tempers become frayed and loyalties crumble.

So far, so humdrum, but things get interesting when, one by one, the starving survivors take to sampling the strange fungi that proliferates the island, the result being hallucinations and a gradual transformation from human into walking mushroom. Is life as a giant agaric preferable to death?

It sounds ridiculous, but Honda succeeds in making the crazy premise extremely creepy through excellent use of his locations - the rusty, fog-bound, deserted ship and the mushroom covered jungle (which is like something out of a really twisted fairytale) - as well as truly nightmarish sound effects. Honda keeps the mushroom people hidden for the most part - we're only given glimpses of their distorted features, which adds to the horror: one presumes that they're so hideous, the director is reluctant to show too much for fear of scaring away viewers.

At the end of the film, we finally get to see the full consequences of eating the fungi, and while it's clearly people shuffling around in rubber costumes, the idea of being turned into a walking mushroom monster is so freaky that it still works.

7/10. Stick with it - it gets better.
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