Review of Jeopardy

Jeopardy (1953)
7/10
Film and Broadway Veteran Meeker steals the show as escaped killer who ends up saving drowning family man
7 October 2020
Warning: Spoilers
John Sturges' 1953 thriller 'Jeopardy' presents a unique challenge for film noir enthusiasts who are accustomed to the genre's characteristic nighttime settings. Set in Mexico and primarily taking place during the day, the film defies traditional classification as a bona fide noir. The story unfolds when Barbara Stanwyck's character, Helen Stilwin, embarks on a family vacation to the Baja Peninsula with her husband Doug (Barry Sullivan) and their nine-year-old son Bobby (Lee Aaker).

The narrative kicks into gear when the family reaches a deserted beach, and young Bobby finds himself in peril as his foot becomes trapped under a decaying plank on a pier. While it strains credibility that the parents would allow Bobby to venture so far out, despite their desire for some private time on the beach, it is husband Doug who becomes the catalyst for a series of unfortunate events. Although he rescues Bobby, Doug himself falls into a dangerous predicament when another plank gives way, pinning his foot beneath it and leaving him with only a few hours before the rising tide spells certain death by drowning.

Despite Helen's desperate attempts to free Doug, including using a tire jack, all efforts prove futile. Helen must then undertake a perilous journey back to the deserted filling station, their last point of contact with civilization before reaching the isolated beach, hoping to find a rope that can be attached to their car to dislodge the plank and save Doug.

During her quest for help, Helen encounters a Mexican family but struggles to communicate her desperate situation due to her limited knowledge of Spanish. Eventually, she procures the rope at the filling station, but her path intersects with Lawson (Ralph Meeker), an escaped convict who unexpectedly enters Helen's car and pretends to offer assistance in returning to the beach to save Doug. However, it soon becomes evident that Lawson is a full-fledged psychopath, exemplified by his violent actions, including slapping Helen and wielding Doug's gun, which he discovers in the glove compartment.

The suspense heightens during a tense encounter between Helen and Lawson when they encounter a roadblock manned by Mexican police. Prior to their arrival, Lawson instructs Helen to remain silent and poses as her sleeping husband, hoping to avoid suspicion. The fact that the Mexican police fail to wake him up or question him creates a noticeable plot hole, one of the few shortcomings in an otherwise gripping narrative.

While the scenes involving the stranded Doug and Bobby may not match the intensity of those between Helen and Lawson, they still contribute to the overall suspense. As father and son attempt to signal a passing fishing boat, the stakes rise, culminating in a heart-wrenching moment when their efforts go unnoticed, leaving them in dire straits.

The film reaches its climax as Helen seizes an opportunity to strike Lawson with a tire iron while he repairs a flat tire (the attempt ends up unsuccessful). Eventually, after a thrilling chase, Lawson agrees to return and save Doug, convinced by Helen's argument that he can use Doug's clothes and identification to facilitate his escape. In a tasteful portrayal, the price for Lawson's assistance is implied sexual assault through forceful kisses.

The climactic sequence delivers a suspenseful resolution as Lawson successfully extricates Doug from his perilous situation, utilizing a pylon attached to a rope and employing the car's power to move the beam that had entrapped Doug. However, the film's resolution disappoints slightly, as the loose ends are resolved somewhat ambiguously. Interestingly, despite adhering to the Hays Code, Lawson does not receive his just desserts, possibly due to his role in saving Doug's life. Helen agrees to help him escape, as she had promised earlier, but Lawson declines and flees, pursued by the police. It is left to speculation whether he is ultimately caught or killed.

'Jeopardy' may have a few plot contrivances, but it remains a solid thriller. Barbara Stanwyck, whom I regard as a precursor to the versatile talents of Meryl Streep (a modern-day paragon of female independence), delivers a standout performance as the resourceful and fearless mother. Barry Sullivan portrays the beleaguered husband with conviction, complemented by the perceptive acting of Lee Aaker, who would soon gain fame as the star of the Rin Tin Tin TV series. However, it is Ralph Meeker's portrayal of the dangerous escaped convict Lawson that truly captivates, showcasing his acting prowess. For fans of film noir, 'Jeopardy' stands out as a worthwhile addition to the genre.
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