The awards and critical reception for this film made it a rather mainstream success, despite it coming from the maker of such odd films as The Lobster. The period setting, the class of performers, and the awards though make it seem accessible and 'normal' only for it to quickly set out its stall as not being that. Essentially it is the fictional story of Queen Anne and her dear 'friend' Lady Sarah, between whom a new maid comes, setting off a frosty power struggle for the ear of the ailing Queen. On its face it seems like a straightforward period drama, but the delivery makes it more than this.
Much has been written by cleverer people on the selection of lens for shooting, the use of natural light, the fruity nature of the script for the period, all of it true and all of it making the film feel off-kilter from what would be expected. It does this in a way that feels odd but yet is still easy to go with and accessible - as opposed to being deliberately hard to penetrate. Certainly the look of the film keeps throwing me, and I wasn't a fan of the wide lens when it was used, but it did have the effect of making the scenes draw me in by virtue of how odd it was to find that look in a period film. In terms of narrative, it is lively with its fruity language and incident, as well as the twists and turns of the plot itself. This is all well delivered by the lead three actresses, who embrace the teeth of it as much as they do the absurdity of some of it.
All told it is a surprising film in the way that it feels odd and off-kilter in many ways, but yet produces a sharp drama with wit and teeth throughout.
Much has been written by cleverer people on the selection of lens for shooting, the use of natural light, the fruity nature of the script for the period, all of it true and all of it making the film feel off-kilter from what would be expected. It does this in a way that feels odd but yet is still easy to go with and accessible - as opposed to being deliberately hard to penetrate. Certainly the look of the film keeps throwing me, and I wasn't a fan of the wide lens when it was used, but it did have the effect of making the scenes draw me in by virtue of how odd it was to find that look in a period film. In terms of narrative, it is lively with its fruity language and incident, as well as the twists and turns of the plot itself. This is all well delivered by the lead three actresses, who embrace the teeth of it as much as they do the absurdity of some of it.
All told it is a surprising film in the way that it feels odd and off-kilter in many ways, but yet produces a sharp drama with wit and teeth throughout.