Second movie as a director for Louis Garrell, and (as in Two Friends) he pays tribute to the cinema that made him the director (and actor) he is today.
The only problem is (for me) the conclusion of his movies, always quickly solving the good intuition of the start. His love for love triangles and ironic ways to talk about love disasters is a signature, and I wish he will be able to end a movie the way he knows how to start them.
Review of A Faithful Man
