After watching the short film predecessor, which was nominated for the Oscar, I was expecting a story related to the dissapearance of Elena's son, Iván. It's been a real surprise how it's been developed, which takes place ten years after that tragedy and introduces us to a mother, Elena, who has just recovered and she has the bad or the good luck to meet a boy, Jean, who is age her son would be today.
The script is quite good, it's a scant irregular and especially the scene of the meeting with three men in the night club is totally left over, it's very unpleasant and adds nothing to the story. The rest of the characters on several occasions are overacted. In spite of this, I love the director's daring and the social criticism that love between a mand and a much younger woman is well seen, and the opposite is frowned upon.
It's magnificent to enjoy each image with this beauty of photography and the great chemistry between the two protagonists.
Finally, to highlight Marta Nieto's performance, there are no words to describe it. It's the best spanish performance of 2019.
The script is quite good, it's a scant irregular and especially the scene of the meeting with three men in the night club is totally left over, it's very unpleasant and adds nothing to the story. The rest of the characters on several occasions are overacted. In spite of this, I love the director's daring and the social criticism that love between a mand and a much younger woman is well seen, and the opposite is frowned upon.
It's magnificent to enjoy each image with this beauty of photography and the great chemistry between the two protagonists.
Finally, to highlight Marta Nieto's performance, there are no words to describe it. It's the best spanish performance of 2019.