9/10
Maternal poignancy
16 April 2020
Do appreciate silents and also old short films. Some of the best came from DW Griffith in the 1910s. He was not one of my favourite directors, but his short and feature films are really well worth seeing (the best musts) and he was an interesting directors. Another selling point is Lillian Gish, one of the great silent film stars and really excelled in dramatic roles. Giving them a lot of poignancy without going over the top, her sister Dorothy was also incredibly talented but Lillian was a little more versatile.

'The Mothering Heart' to me is one of Griffith's best and most interesting 1910s short films, as well as one of his most poignant. 'The Mothering Heart' also has one of Gish's best early performances in my view, if anybody wants to see what the fuss is about with her her performance here is a good starting point. One can also see why it was a turning point role for her and why her career took off quite vastly after.

Gish is a revelation in a role absolutely perfect for her, she gives a very moving and warm portrayal that makes one completely root for her easily. Walter Miller is far from a drip and brings surprising complexity to a character that on paper sounded weak. Viola Barry is a scene stealer.

On top of the great performances, we also have highly effective direction from Griffith, it is always visually striking and doesn't let the momentum lag. 'The Mothering Heart' is extremely well made, especially striking is how beautifully and inventively shot it is. Far from primitive. Story is very heartfelt and easy to be charmed by, the tragedy heart-breaking.

Not all the more humorous parts gel though and like they didn't properly belong.

That one small complaint aside, this is excellent. 9/10
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