Good performances from both young actresses, Elizabeth Ashley (who was to become the second of Peppard's five wives) and Sally Kellerman (who was to create the iconic Miss Margaret "Hot 👄" Houlihan a few years later). Here, unlike in "Breakfast at Tiffany's," George plays a character not so far removed from his own IRL, i.e. an egotistical, womanizing ingrate maneuvering for control of his disabled father-in-law's company. It's only because almost all the other male characters, played by Roddy McDowell (his lying and conniving rival for the company), Robert Webber (the D.A.), and a supremely creepy (and thoroughly unfunny) Arte Johnson, are freakin' grotesque near-charicatures that Peppard comes out not smelling like a skunk in this one. Or at least, that's how I see it anyway. 😀