In days past BOD would have been called a 'woman's picture', since affairs of the heart occupy the storyline instead of action, mystery or suspense. Fortunately, actress Astor (Linden) turns in a nicely low-key turn as the under-appreciated power behind boss Duneen's company throne. She craves his affection instead of the compliments he occasionally provides her. Now he's planning to wed a high-society girl even though it's Linden's advice who's gotten him to the top. So what will become of her.
For me, a guy, the flick only has occasional interest as when character conflict comes to the top. Otherwise, the narrative's too talky and stage-bound, even though the gals do go through a number of gown changes on camera (Pre-Code, 1931). Too bad also that a more charismatic actor doesn't appear as Duneen. It's really hard to see how the savvy Linden could get so stuck on such a bland leading man that also weakens focal interest. Then too, the narrative staggers more than it unfolds, the director adding little or nothing. Anyway, I think a mild feminist under-current underlies key points of the plot, which, to me, is really the only reason to catch up with the uneven 82-minutes.
For me, a guy, the flick only has occasional interest as when character conflict comes to the top. Otherwise, the narrative's too talky and stage-bound, even though the gals do go through a number of gown changes on camera (Pre-Code, 1931). Too bad also that a more charismatic actor doesn't appear as Duneen. It's really hard to see how the savvy Linden could get so stuck on such a bland leading man that also weakens focal interest. Then too, the narrative staggers more than it unfolds, the director adding little or nothing. Anyway, I think a mild feminist under-current underlies key points of the plot, which, to me, is really the only reason to catch up with the uneven 82-minutes.