I came to Babycall really not knowing anything much at all about the film. Half way through I was just about ready to give up on it. As an ex-teacher I'm really not that much into films about over-possessive, paranoid, helicopter parents doting over their frequently brattish offspring. I've been there, done that, enough times to last way more than this lifetime. And that's what Babycall seemed to be about. Noomi Rapace playing (against her famed Lisbeth Solander persona) this demented, self-possessed single mother of an 8 year-old boy, attempting to escape the legal clutches of an unseen, supposedly violent father, with the very much qualified assistance of a couple of children's services officers.
Let's be clear here too, that Rapace is very convincing in the role which has her onscreen, a great deal of the first half of this Norwegian film, which is probably better summed up by its US title "The Monitor". Ever so gradually some unexpected supernatural elements are added to this dysfunctional family drama to change the substance and core elements of the film completely. Crucial to this slow-burning metamorphosis is the role of Kristoffer Joner who plays an electrical appliances retail salesperson, who appears somewhat oddly sympathetic to the mother's continual quandaries.
I don't wish to spoil much more of the narrative, except to say that's it's pretty clear that even a number of reviewers on these pages haven't fully understood Helge's (Joner) role, or abilities, in what plays out. If they had they wouldn't be rabbiting on about plot holes that don't exist. Suffice to say the third act of Babycall contains a couple of doozy little twists that I certainly (thankfully) never saw coming and which completely change the complexion of earlier parts of the film and the way we may have initially viewed them.
Director Pål Sletaune deserves plaudits for the way he has constructed Babycall. It's a creepily intriguing movie, but one that eschews the cinematic traditions of nocturnal, dimly-lit scenes and haunting soundtracks. Much of the action takes place during the day in rather brightly lit buildings and rooms. He seems to have gone out of his way to turn on its head, the way one might go about filming a supernatural/horror tale and he does so, very successfully.
I'm only mildly surprised that Hollywood hasn't come calling seeking the rights to the inevitable remake. This is a very fine movie, but one that I think has just too much subtlety and nuance for North American audiences ( the IMDB rating of 5.7 is indicative of what I'm saying) seeking an adrenaline burst of quick thrills, dominating sound and explosive action set pieces. Make sure you watch till the end.
Let's be clear here too, that Rapace is very convincing in the role which has her onscreen, a great deal of the first half of this Norwegian film, which is probably better summed up by its US title "The Monitor". Ever so gradually some unexpected supernatural elements are added to this dysfunctional family drama to change the substance and core elements of the film completely. Crucial to this slow-burning metamorphosis is the role of Kristoffer Joner who plays an electrical appliances retail salesperson, who appears somewhat oddly sympathetic to the mother's continual quandaries.
I don't wish to spoil much more of the narrative, except to say that's it's pretty clear that even a number of reviewers on these pages haven't fully understood Helge's (Joner) role, or abilities, in what plays out. If they had they wouldn't be rabbiting on about plot holes that don't exist. Suffice to say the third act of Babycall contains a couple of doozy little twists that I certainly (thankfully) never saw coming and which completely change the complexion of earlier parts of the film and the way we may have initially viewed them.
Director Pål Sletaune deserves plaudits for the way he has constructed Babycall. It's a creepily intriguing movie, but one that eschews the cinematic traditions of nocturnal, dimly-lit scenes and haunting soundtracks. Much of the action takes place during the day in rather brightly lit buildings and rooms. He seems to have gone out of his way to turn on its head, the way one might go about filming a supernatural/horror tale and he does so, very successfully.
I'm only mildly surprised that Hollywood hasn't come calling seeking the rights to the inevitable remake. This is a very fine movie, but one that I think has just too much subtlety and nuance for North American audiences ( the IMDB rating of 5.7 is indicative of what I'm saying) seeking an adrenaline burst of quick thrills, dominating sound and explosive action set pieces. Make sure you watch till the end.