Joon-Sang Yoo arrives in Seoul. He has directed four movies, but they weren't popular. Now he teaches in a country school. He's in town to meet with an old friend, Sang-Jung Kim. They go to a bar, have a bit of a chat, meet with the owner who rushes n to apologize for not being there. Then the day starts to repeat, with variations.
At first I thought it was just a variation on GROUNDHOG DAY, but as time went on, I realized that it was the portrait of a man who had given up, and had become unmoored from reality. He keeps trying to get the day right, like the director he used to be -- one character, on learning he used to direct, asks "What's it like to not direct?" -- but whatever he does, no matter what he accomplishes, he finds at the end that he is where he was at the beginning, repeating the day with variations that have no effect on his fellow characters. If they had not known him when he was a director, they have no memory of him, and only the vaguest of effects on their lives.
It's creepy and sad and simply told, in elegant black and white photography. The writer/director, Sang-soo Hong is called by some "The Woody Allen of Korea." Martin Scorsese says of his movies that "everything kind of starts unassumingly - but then things unpeel like an orange". This movie fits that description. I'll keep an eye out for more of his movies.
At first I thought it was just a variation on GROUNDHOG DAY, but as time went on, I realized that it was the portrait of a man who had given up, and had become unmoored from reality. He keeps trying to get the day right, like the director he used to be -- one character, on learning he used to direct, asks "What's it like to not direct?" -- but whatever he does, no matter what he accomplishes, he finds at the end that he is where he was at the beginning, repeating the day with variations that have no effect on his fellow characters. If they had not known him when he was a director, they have no memory of him, and only the vaguest of effects on their lives.
It's creepy and sad and simply told, in elegant black and white photography. The writer/director, Sang-soo Hong is called by some "The Woody Allen of Korea." Martin Scorsese says of his movies that "everything kind of starts unassumingly - but then things unpeel like an orange". This movie fits that description. I'll keep an eye out for more of his movies.