A British tank unit is captured in the dark days of the North African campaign of the Second World War, including sketchy (by British standards) Victor Mature. He's there because his Jewish wife was killed by Nazis, so he tried to kill Goebbels. Also because they needed an American star for this British production to satisfy Columbia Pictures. Anyway, they escape and wander around Lybia.
Terence Young's movie is a disturbing mixture of standard tropes from POW movies, THE BRIDGE ON THE RIVER KWAI, and bits that I have only noticed in THE GREAT ESCAPE. Perhaps they were stories floating around, perhaps the screenwriters (including Young) had read the memoirs, and perhaps Young was drawing on his own wartime experience, as he did with his earlier THEY WERE NOT DIVIDED. The mixture of cliches and oddities gives the movie and interesting but erratic pacing. Certainly the actors, including Leo Genn and Anthony Newly help, as does the brilliant on-site Technicolor camerawork by Ted Moore.
Terence Young's movie is a disturbing mixture of standard tropes from POW movies, THE BRIDGE ON THE RIVER KWAI, and bits that I have only noticed in THE GREAT ESCAPE. Perhaps they were stories floating around, perhaps the screenwriters (including Young) had read the memoirs, and perhaps Young was drawing on his own wartime experience, as he did with his earlier THEY WERE NOT DIVIDED. The mixture of cliches and oddities gives the movie and interesting but erratic pacing. Certainly the actors, including Leo Genn and Anthony Newly help, as does the brilliant on-site Technicolor camerawork by Ted Moore.