Persona (2019–2023)
7/10
A production's strategic mistake, but, for the most part, good content.
15 April 2019
'Persona' is an anthology of four histories dealing with love, revenge and death. These are stand-alone episodes and they deserve to be rated in that way. But now I'm judging the product ('Persona') as one entire piece.

I would not like to call any form of art as a waste of time, but 'Persona' began like this to me. 'Love set' was not anything else than a 15-minute tennis match despite the good acting and the image composition. I almost stop watching the following chapters.

Fortunately, I continued. The three following histories are well scripted, well portrayed. And they are not superficial like the first one. 'Kiss burn' is fun, but also inspiring. You learn there are other elements than revenge to realize yourself. Especially when you are a teen and you are generally angry.

Even though, I would like to focus on chapters 2 and 4 ('Collector' and 'Walking at night'). These are good pieces of film art. They concern deep personal feelings, and, as a viewer, they are able to set you in a mood of tension or give you an embrace of warm sadness.

The storytelling of these two chapters is deliberately unspecific. That aspect joined to the fact of the concrete recurrent obsessions or fears of the characters, it makes you think that these two histories could perfectly have been extracted by one of the Japanese Haruki Murakami's anthologies of short stories.

I give to 'Persona' a rating of 7. It could have been higher if they had got rid of 'Love Match'. I think this is a huge mistake of the producers. But, apart from this fact, I was able to enjoy the remaining part. Especially 'Walking at Night'.
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