This is a very strong movie with a poignant story and excellent acting. It's set in Havana, Cuba, where young Jesús lives alone in a dilapidated apartment, trying to survive by doing odd hairdressing for a local dragqueen-club, secretly craving to be on that stage himself. Then suddenly his long lost father returns home after having been in jail for some 20 years. The two collide, especially on the topic of Jesús being gay and performing as a drag queen, but nevertheless they have to find a way to deal with eachothers presence in their lives.
Describing this, it may seem like a melodrama, but director Paddy Breathnach (not a Cuban or even a Hispanic director but Irish, surprisingly the whole project appears to be Irish!) carefully avoids the potential pitfalls and gives us a fairly honest and almost matter-of-fact like account, greatly helped by an excellent script and effective editing. The setting in old Havana shows us not the touristic beauty of faded glory, but the sad and bleak reality of a town in total decay, where people either dream of getting away from, or - as Jesús and his father - resign and try to make the best of it.
The acting of both Jorge Perugorría (the father) and Héctor Medina (Jesús) is excellent, especially Medina is impressive, with only few words but with a world of expressions in his face and attitude. His transformation into Viva, the drag queen singer on stage is striking: from a gentle, taciturn androgynous boy to a larger than life dramatic diva, singing and crying her heart out. The songs that are performed on the stage by the way are breathtaking: totally over the top yet full of genuine grief and anger and drama, and the words mirror the story perfectly.
I am stunned at how an Irish production team is able to so get to the heart and soul of this Cuban story, but they sure did, I rank it a heartfelt 10.
Describing this, it may seem like a melodrama, but director Paddy Breathnach (not a Cuban or even a Hispanic director but Irish, surprisingly the whole project appears to be Irish!) carefully avoids the potential pitfalls and gives us a fairly honest and almost matter-of-fact like account, greatly helped by an excellent script and effective editing. The setting in old Havana shows us not the touristic beauty of faded glory, but the sad and bleak reality of a town in total decay, where people either dream of getting away from, or - as Jesús and his father - resign and try to make the best of it.
The acting of both Jorge Perugorría (the father) and Héctor Medina (Jesús) is excellent, especially Medina is impressive, with only few words but with a world of expressions in his face and attitude. His transformation into Viva, the drag queen singer on stage is striking: from a gentle, taciturn androgynous boy to a larger than life dramatic diva, singing and crying her heart out. The songs that are performed on the stage by the way are breathtaking: totally over the top yet full of genuine grief and anger and drama, and the words mirror the story perfectly.
I am stunned at how an Irish production team is able to so get to the heart and soul of this Cuban story, but they sure did, I rank it a heartfelt 10.