Charleston (Redgrave) lives in self-inflicted isolation as a lighthouse keeper, having become completely disenchanted with the outside world, most of which is complacent in the face of rising evil and looming war. In a dialogue with spirits of the past, he re-evaluates his decision to isolate himself.
Robert Ardrey's 1939 play railed against the widespread complacency at the rise of fascism, and anticipated WWII. That the play flopped in New York on first release and yet did well in wartime London a little later says plenty about how receptive the audience was to the message. In this film adaptation the story is broadened and filled in; it played to packed houses in 1943 America and did well in the UK.
Here the Boulting brothers -perhaps better known for their later comedies- have made an excellent film that is both absorbing and intriguing.
Of course it was made in wartime and the message is played for all it is worth as propaganda. But that doesn't make this film any less interesting or thought provoking. It is a little less overtly metaphysical than some other films from around this time and that is no bad thing; one foot is kept grounded at all times, more or less.
Someone once said "the greatest journeys we go on are those in our own minds" -or words to that effect- and this play/film is testimony to that.
The message that came through most strongly for me was that we owe the past a heavy debt; it is, in the present, always our obligation not to turn away, not to give up or hide away in the face of adversity.
Despite its flaws this film rates a 9/10 from me.
Robert Ardrey's 1939 play railed against the widespread complacency at the rise of fascism, and anticipated WWII. That the play flopped in New York on first release and yet did well in wartime London a little later says plenty about how receptive the audience was to the message. In this film adaptation the story is broadened and filled in; it played to packed houses in 1943 America and did well in the UK.
Here the Boulting brothers -perhaps better known for their later comedies- have made an excellent film that is both absorbing and intriguing.
Of course it was made in wartime and the message is played for all it is worth as propaganda. But that doesn't make this film any less interesting or thought provoking. It is a little less overtly metaphysical than some other films from around this time and that is no bad thing; one foot is kept grounded at all times, more or less.
Someone once said "the greatest journeys we go on are those in our own minds" -or words to that effect- and this play/film is testimony to that.
The message that came through most strongly for me was that we owe the past a heavy debt; it is, in the present, always our obligation not to turn away, not to give up or hide away in the face of adversity.
Despite its flaws this film rates a 9/10 from me.