I'm a bit late to the Tourist Trap party and I don't know what to wear. For years, I'd heard stories from my friends about how they'd seen this film when they were children on TV or at the video store (somehow, this nightmarish flick was rated PG!) and how much it had traumatized them. I'm in my 40's now, but I found myself equally as traumatized during portions of this movie.
The plot is simple enough. Think Texas Chainsaw Massacre mixed with House of Wax with a dollop of Carrie thrown in and you'll get the idea. This is a movie that builds and builds until you realize you're standing in the middle of someone else's nightmare. The atmosphere is filled with doom and gloom and escape seems impossible.
The score by Pino Donaggio is equally as odd as the narrative itself. His opening theme is, perhaps, a bit too playful and doesn't do much to conjure an oppressive mood, but once the film starts kicking it into high gear, the imagery and performances do that by themselves as Donaggio's score becomes more and more lyrical and rather beautiful. It's like trying to imagine Ennio Morriconne scoring Texas Chainsaw Massacre. It doesn't always fit, but it sure is beautiful and makes the film even more bizarre than it already was.
Acting wise, no one is any worse than your typical slasher film, but Jocelyn Jones does stick out as being a bit more interesting than the others. There's a slightly haunted quality about her that I really loved and you get the sense that, in some ways, she might be as lost and stuck in the past as the Chuck Connors character. Just look at the way she's dressed as compared to her friends. She looks like she's ready for Sunday school.
The ending itself is incredibly haunting and I don't think I'll be forgetting about that one for quite awhile.
Tourist Trap more than deserves your time.
The plot is simple enough. Think Texas Chainsaw Massacre mixed with House of Wax with a dollop of Carrie thrown in and you'll get the idea. This is a movie that builds and builds until you realize you're standing in the middle of someone else's nightmare. The atmosphere is filled with doom and gloom and escape seems impossible.
The score by Pino Donaggio is equally as odd as the narrative itself. His opening theme is, perhaps, a bit too playful and doesn't do much to conjure an oppressive mood, but once the film starts kicking it into high gear, the imagery and performances do that by themselves as Donaggio's score becomes more and more lyrical and rather beautiful. It's like trying to imagine Ennio Morriconne scoring Texas Chainsaw Massacre. It doesn't always fit, but it sure is beautiful and makes the film even more bizarre than it already was.
Acting wise, no one is any worse than your typical slasher film, but Jocelyn Jones does stick out as being a bit more interesting than the others. There's a slightly haunted quality about her that I really loved and you get the sense that, in some ways, she might be as lost and stuck in the past as the Chuck Connors character. Just look at the way she's dressed as compared to her friends. She looks like she's ready for Sunday school.
The ending itself is incredibly haunting and I don't think I'll be forgetting about that one for quite awhile.
Tourist Trap more than deserves your time.