I like movies based on Stephen King novellas. Occasionally I like films based on King's novels (e.g., The Shining), but two of my favorite films based on King's writings are Stand By Me and The Shawshank Redemption. Apt Pupil is based on a King novella and directed by Bryan Singer, the innovative director who gave us The Usual Suspects. Throw in a leading role for the rising star Brad Renfro (The Client, Sleepers) and a supporting role by British veteran actor Ian McKellan, and what more could a guy want? Plausibility, for a start. Not having read King's novella, I am not sure if I should blame him or rookie screenwriter Brandon Boyce, but the flaws in the film are in the story.
I often tell students in my film classes that there is no greater "sin" in filmmaking than to take a story worth telling and tell it poorly. Apt Pupil is about a bright 16-year old high school senior who becomes fascinated with the holocaust. Long after the subject has passed in his history class, Todd Bowden (Brad Renfro) continues to read and research. As a result of his intensive research, he becomes convinced that a reclusive neighbor is Nazi war criminal Kurt Dussander, former commandant of several concentration camps. Todd gathers evidence (including fingerprints and photos) and when he has assembled irrefutable proof confronts his neighbor with his past. Rather than turn Commandant Dussander in, however, Todd wants to blackmail him--not for money, but for stories. Todd wants to know "what they won't tell us in our classes." Todd wants to know what it felt like; he wants to hear the stories. Somewhat predictably, the evil from the past works its way into the present and becomes a cancer on the soul of both characters.
The basic premise of the film is interesting, the acting is excellent, and there are some nice touches in terms of cinematography. What keeps this generally good film from being a really good film is three plot points that are too contrived to elicit the willing suspension of disbelief in the viewer. The device that Dussander uses to turn the tables on Todd is a bit thin. Even thinner are two subsequent identifications that become problematic for Dussander. With a little more work I think the writers could have accomplished the necessary twists and turns in a manner that was not so thoroughly implausible.
In spite of this, the movie is engaging and certainly disturbing. It is disconcerting to realize that the human capacity for evil is so easily invoked. In light of recent hate crimes, the message of the film is an important one. I had hoped for something like The Usual Suspects meets The Shawshank Redemption. In the end, Apt Pupil is better than average, but a bit short of what it could have been.
I often tell students in my film classes that there is no greater "sin" in filmmaking than to take a story worth telling and tell it poorly. Apt Pupil is about a bright 16-year old high school senior who becomes fascinated with the holocaust. Long after the subject has passed in his history class, Todd Bowden (Brad Renfro) continues to read and research. As a result of his intensive research, he becomes convinced that a reclusive neighbor is Nazi war criminal Kurt Dussander, former commandant of several concentration camps. Todd gathers evidence (including fingerprints and photos) and when he has assembled irrefutable proof confronts his neighbor with his past. Rather than turn Commandant Dussander in, however, Todd wants to blackmail him--not for money, but for stories. Todd wants to know "what they won't tell us in our classes." Todd wants to know what it felt like; he wants to hear the stories. Somewhat predictably, the evil from the past works its way into the present and becomes a cancer on the soul of both characters.
The basic premise of the film is interesting, the acting is excellent, and there are some nice touches in terms of cinematography. What keeps this generally good film from being a really good film is three plot points that are too contrived to elicit the willing suspension of disbelief in the viewer. The device that Dussander uses to turn the tables on Todd is a bit thin. Even thinner are two subsequent identifications that become problematic for Dussander. With a little more work I think the writers could have accomplished the necessary twists and turns in a manner that was not so thoroughly implausible.
In spite of this, the movie is engaging and certainly disturbing. It is disconcerting to realize that the human capacity for evil is so easily invoked. In light of recent hate crimes, the message of the film is an important one. I had hoped for something like The Usual Suspects meets The Shawshank Redemption. In the end, Apt Pupil is better than average, but a bit short of what it could have been.