While not one of my favourites, Ub Iwerks was responsible for a lot of interesting work. Especially when working with Walt Disney, his oldest friend and one of his best, and co-creating one of animation's most famous characters in Mickey Mouse. His career since opening his own studio had interest value but the quality was variable, often being successful in the animation and music but wanting in the story and variable in gags, lead characters and tone.
1933 to 1936 saw twenty five cartoons, mostly based on famous fairytales and familiar stories, as part of Iwerks's "ComiColor" series. The "ComiColor" series is very much worth watching and interesting, as is the case with many series some cartoons are better than others but there are no real animation nadirs. 1935's 'Sinbad the Sailor' is remarkably very well done and one of the better cartoons of the series.
'Sinbad the Sailor' doesn't actually have much wrong with it. There is much more of a story than some of the other cartoons in the series and other Iwerks works, and feels much more than just a series of gags and events. It doesn't feel saccharine on the most part, though it occasionally does get a little too cute. It is slight though and maybe a bit too simple and only Sinbad is properly memorable of the characters (who are still nice enough actually).
However, 'Sinbad the Sailor' has enough freshness to stop it from being stale. It avoids the over sentimental factor and is never dull. There are a lot of imaginative visuals and the transitions are smooth.
There are a lot of amusing moments (even the odd inside-joke) that aren't too corny and never repetitive, it's very charming, is very touching at times and there is a genuine likeability and cuteness without being over-sentimental. The characters are nice enough in 'Sinbad the Sailor', though none of the others are as memorable as the wholly likeable Sinbad who by default steals the cartoon.
Furthermore, the animation is great. Meticulously detailed, fluid in drawing, vibrant in colour and often rich in imagination and visual wit. The music is cleverly and lushly orchestrated, is infectiously catchy and adds a lot to the cartoon.
Concluding, very well done. 8/10 Bethany Cox
1933 to 1936 saw twenty five cartoons, mostly based on famous fairytales and familiar stories, as part of Iwerks's "ComiColor" series. The "ComiColor" series is very much worth watching and interesting, as is the case with many series some cartoons are better than others but there are no real animation nadirs. 1935's 'Sinbad the Sailor' is remarkably very well done and one of the better cartoons of the series.
'Sinbad the Sailor' doesn't actually have much wrong with it. There is much more of a story than some of the other cartoons in the series and other Iwerks works, and feels much more than just a series of gags and events. It doesn't feel saccharine on the most part, though it occasionally does get a little too cute. It is slight though and maybe a bit too simple and only Sinbad is properly memorable of the characters (who are still nice enough actually).
However, 'Sinbad the Sailor' has enough freshness to stop it from being stale. It avoids the over sentimental factor and is never dull. There are a lot of imaginative visuals and the transitions are smooth.
There are a lot of amusing moments (even the odd inside-joke) that aren't too corny and never repetitive, it's very charming, is very touching at times and there is a genuine likeability and cuteness without being over-sentimental. The characters are nice enough in 'Sinbad the Sailor', though none of the others are as memorable as the wholly likeable Sinbad who by default steals the cartoon.
Furthermore, the animation is great. Meticulously detailed, fluid in drawing, vibrant in colour and often rich in imagination and visual wit. The music is cleverly and lushly orchestrated, is infectiously catchy and adds a lot to the cartoon.
Concluding, very well done. 8/10 Bethany Cox