Director: NORMAN FOSTER. Screenplay: Nat Perrin. Additional dialogue: Roland Kibbee. Story: Devery Freeman. Photography: Joseph Walker. Film editor: Charles Nelson. Art director: Carl Anderson. Set decorator: William Kiernan. Costumes: Jean Louis. Make-up: Fred Phillips. Hair styles: Helen Hunt. Music composed by Werner R. Heymann, directed by Morris W. Stoloff. Assistant director: Sam Nelson. Sound recording: George Cooper. Western Electric Sound System. Producer: Buddy Adler.
Copyright 16 November 1949 by Columbia Pictures Corp. No New York opening. U.S. release: December 1949. U.K. release: 10 April 1950. Australian release: 30 March 1950. 7,920 feet. 88 minutes.
SYNOPSIS: Rosalind Russell is the judge-to-be, Robert Cummings her ex-husband who wants her back, Gig Young a playboy type that Russell is successfully using to bait Cummings.
COMMENT: Robert Cummings certainly wins his spurs on this one as a "light comedian". Bob mugs, grimaces and pratfalls his way through a lot of frantic action before he finally wins the day (and the lady). If you like Mr Cummings (I don't mind him), you'll doubly enjoy the extra cornball efforts he brings to his role here. If you can't stand Cummings, avoid this film at all costs. You have been warned.
Russell and Young do well by the main supporting slots, but it is young Marie McDonald who will attract most attention. Exquisitely costumed, Miss McDonald's only failure - and it's not her fault - is that her role is so intermittent. She keeps popping in and out of the action. We wish she would stay put for longer, before Cummings hustles her into the inevitable clothes closet.
Despite some obvious process screen effects, the film is sound technically: The photography's glossy, the music score witty, the sets and costumes appropriately glamorous, whilst Foster's competent if none too subtle direction gets the most out of Perrin's amusing script. In short, this judge found it a most entertaining tale.
Copyright 16 November 1949 by Columbia Pictures Corp. No New York opening. U.S. release: December 1949. U.K. release: 10 April 1950. Australian release: 30 March 1950. 7,920 feet. 88 minutes.
SYNOPSIS: Rosalind Russell is the judge-to-be, Robert Cummings her ex-husband who wants her back, Gig Young a playboy type that Russell is successfully using to bait Cummings.
COMMENT: Robert Cummings certainly wins his spurs on this one as a "light comedian". Bob mugs, grimaces and pratfalls his way through a lot of frantic action before he finally wins the day (and the lady). If you like Mr Cummings (I don't mind him), you'll doubly enjoy the extra cornball efforts he brings to his role here. If you can't stand Cummings, avoid this film at all costs. You have been warned.
Russell and Young do well by the main supporting slots, but it is young Marie McDonald who will attract most attention. Exquisitely costumed, Miss McDonald's only failure - and it's not her fault - is that her role is so intermittent. She keeps popping in and out of the action. We wish she would stay put for longer, before Cummings hustles her into the inevitable clothes closet.
Despite some obvious process screen effects, the film is sound technically: The photography's glossy, the music score witty, the sets and costumes appropriately glamorous, whilst Foster's competent if none too subtle direction gets the most out of Perrin's amusing script. In short, this judge found it a most entertaining tale.