Here's a movie that was clearly produced on star power: Marlene Dietrich! Jean Gabin! She's a beautiful woman in small town, a "merry widow" with several beaux to her string, waiting for the rich, ugly wife of one of them to die so he'll marry her. She runs into Gabin, who's a construction contractor, and of course they fall in together, much to the audience's lack of surprise, and with many a shot of Marlene's legs. However, as her past and their present are revealed, there is anger and snarling and things go downhill, with lots of Gabin snarling and Dietrich to-hell-with-it shouting.
The director Georges Lacombe may be remembered as a director of early Clouzot scripts, but he started off as one of the Surrealists in Paris in the 1920s. By the end of the 1930s he was a thoroughly commercial director whose big-screen career petered out in the late 1950s, but who continued to direct made-for-TV movies into the 1970s. This move has a 1930s air to it; one would think the War had never happened.
The director Georges Lacombe may be remembered as a director of early Clouzot scripts, but he started off as one of the Surrealists in Paris in the 1920s. By the end of the 1930s he was a thoroughly commercial director whose big-screen career petered out in the late 1950s, but who continued to direct made-for-TV movies into the 1970s. This move has a 1930s air to it; one would think the War had never happened.