Copyright 3 December 1942 by 20th Century-Fox Film Corp. New York opening at the Roxy: 20 January 1943. U.S. release: 9 December 1942. Australian release: 18 November 1943. 8,736 feet. 97 minutes.
OPENING SYNOPSIS: Johnny Williams (George Montgomery), an American newsreel photographer captured by the Japs in China, makes a breath-taking escape with the aid of a tough soldier-of-fortune, Major Weed (Victor McLaglen), and the Major's girl-friend, Captain Fifi (Lynn Bari).
NOTES: Domestic rentals gross: $1.4 million. Although this wasn't sufficient to put the movie into the topmost branches of the box-office tree, it's a most respectable total - more money in fact that either Ninotchka or Grapes of Wrath or even The Women took on original release in the U.S./Canada.
PRINCIPAL MIRACLE: Hathaway, Hecht and company turn wartime propaganda into first-rate entertainment.
COMMENT: Even by Hathaway's highly polished standard, this is a stylishly fascinating entry in the wartime propaganda mill. The camerawork and the lighting are absolutely out of this world. We can't imagine why the movie wasn't nominated for any of the year's major awards.
The sets are really magnificent too. In fact, I'll go further. I'd say that the sets would rank amongst the finest (the most artistic, the most imaginative, the most eye-catching, the most aesthetically appealing) ever created for a motion picture. But no awards. Not even a nomination.
True, there's one thing - and only one thing - about China Girl that's not top-flight, and that's Ben Hecht's cornball script, with its stereotyped characterization and strictly conventional brash-American-boy-meets-beautiful-but-elusive-Eurasian-girl romance. All the same, Miss Tierney is suitably beautiful as the heroine and Mr Montgomery routinely brash as the diamond-in-the-rough hero.
The supporting cast, however, is even more interesting, with some fine studies in villainy from Bari, McLaglen, Rumann and Baxter.
OTHER VIEWS: Superbly photographed, well played, with great art direction (the hotel set is most ingenious and imaginative), stylish direction, snappy dialogue, and a good music score (abetted by that great 20th Century-Fox sound track), this film lacks only one thing - a satisfactory conclusion.
SPOILERS: This must be one of the few Hollywood films in which justice does not triumph. Although this is certainly a novel idea, the conclusion doesn't even cash in on this novelty because it's blatant propaganda swamps any other ideas out of an audience's mind. Great supporting cast. Pace is A-1 too, and the plot moves like a crackerjack until about halfway through. It's Gene Tierney who slows down the action; but she's so beautifully lit and costumed, we don't really care. - JHR writing as George Addison.
OPENING SYNOPSIS: Johnny Williams (George Montgomery), an American newsreel photographer captured by the Japs in China, makes a breath-taking escape with the aid of a tough soldier-of-fortune, Major Weed (Victor McLaglen), and the Major's girl-friend, Captain Fifi (Lynn Bari).
NOTES: Domestic rentals gross: $1.4 million. Although this wasn't sufficient to put the movie into the topmost branches of the box-office tree, it's a most respectable total - more money in fact that either Ninotchka or Grapes of Wrath or even The Women took on original release in the U.S./Canada.
PRINCIPAL MIRACLE: Hathaway, Hecht and company turn wartime propaganda into first-rate entertainment.
COMMENT: Even by Hathaway's highly polished standard, this is a stylishly fascinating entry in the wartime propaganda mill. The camerawork and the lighting are absolutely out of this world. We can't imagine why the movie wasn't nominated for any of the year's major awards.
The sets are really magnificent too. In fact, I'll go further. I'd say that the sets would rank amongst the finest (the most artistic, the most imaginative, the most eye-catching, the most aesthetically appealing) ever created for a motion picture. But no awards. Not even a nomination.
True, there's one thing - and only one thing - about China Girl that's not top-flight, and that's Ben Hecht's cornball script, with its stereotyped characterization and strictly conventional brash-American-boy-meets-beautiful-but-elusive-Eurasian-girl romance. All the same, Miss Tierney is suitably beautiful as the heroine and Mr Montgomery routinely brash as the diamond-in-the-rough hero.
The supporting cast, however, is even more interesting, with some fine studies in villainy from Bari, McLaglen, Rumann and Baxter.
OTHER VIEWS: Superbly photographed, well played, with great art direction (the hotel set is most ingenious and imaginative), stylish direction, snappy dialogue, and a good music score (abetted by that great 20th Century-Fox sound track), this film lacks only one thing - a satisfactory conclusion.
SPOILERS: This must be one of the few Hollywood films in which justice does not triumph. Although this is certainly a novel idea, the conclusion doesn't even cash in on this novelty because it's blatant propaganda swamps any other ideas out of an audience's mind. Great supporting cast. Pace is A-1 too, and the plot moves like a crackerjack until about halfway through. It's Gene Tierney who slows down the action; but she's so beautifully lit and costumed, we don't really care. - JHR writing as George Addison.