This film is an early blueprint of American independent cinema, as well as a lovely time capsule of late 50's New York City. Back when Cassavetes made this innovative essay of New York City life, he was breaking new ground in the States. Shadows follows three characters from a black family - two brothers and a sister - who each have their challenges. One is a struggling singer, the other a lothario and troublemaker, and the third is a young lady who is innocent yet adventurous. The film is not primarily about race relations, contrary to what some critics prefer to emphasize, nor is it a 'black film'. It is instead a 'slice of life' that Cassavetes would go on to develop further in 'Faces'. Performances are effectively delivered by an ensemble of budding professional actors and complete amateurs. Much of the film was shot 'run and gun' style by handheld Arriflex 16mm film cameras, something independent filmmakers adopted with a frenzy a decade later. Scorsese's fans will note that his premiere 'Who's that Knocking' - filmed 6 years after Shadows' release - seems to borrow heavily from Cassavetes' debut film, as do many other independent films. But this is the film that started it all. Even though it has its flaws, 'Shadows' is not only a groundbreaker but a delightful journey across a swath of characters that Cassavetes has such a talent for portraying.
