This late silent film with synchronized music score and sound effects made Joan Crawford a star at MGM. The film was a huge hit at the box office.
Crawford stars as wild Diana Medford, a rich rich who is a leader in her set of young wealthy country club types. She's a real life-of-the-party type but is actually "good." Her rival is Ann (Anita Page), a beautiful blonde who has been raised as a mantrap. She's a deceitful liar just like her mother (Kathlyn Williams). There's also Bea (Dorothy Sebastian) who's made a few "mistakes" but is a decent young woman.
Into this swirl of country club dances and rivalries comes a handsome young millionaire (Johnny Mack Brown) who's taken with Crawford's high spirits, but as soon as she learns how rich he is, Page moves in on him.
Brown seems helpless against Page's simpering helpless act, and with the help of her grasping mother, they corner Brown into marrying Page. Crawford is devastated. Meanwhile, Sebastian's new husband (Nils Asther) is having trouble accepting his wife's "past."
A year later, the marriage between Page and Brown in rocky, especially since she's now dallying with Freddie (Edward Nugent). They show up drunk at a party where Crawford is, and the sparks fly. Brown discovers exactly how he was tricked by Page and admits if was really Crawford he loved ... and still does.
Things come to a violent climax.
Crawford and Page are excellent. Crawford does a couple of wild dances and Page excels in a drunken hysterics bit. Brown is suitably handsome. The film is also famous for its spectacular Art Deco sets and snappy jazz baby costumes.
This film established Joan Crawford as a star at MGM where she joined Marion Davies, Norma Shearer, and Greta Garbo as a queen of the lot. It also positioned Anita Page, Johnny Mack Brown, and Dorothy Sebastian at MGM as it transitioned to talkies.
This is one of the great surviving flapper films from the jazz era.
Crawford stars as wild Diana Medford, a rich rich who is a leader in her set of young wealthy country club types. She's a real life-of-the-party type but is actually "good." Her rival is Ann (Anita Page), a beautiful blonde who has been raised as a mantrap. She's a deceitful liar just like her mother (Kathlyn Williams). There's also Bea (Dorothy Sebastian) who's made a few "mistakes" but is a decent young woman.
Into this swirl of country club dances and rivalries comes a handsome young millionaire (Johnny Mack Brown) who's taken with Crawford's high spirits, but as soon as she learns how rich he is, Page moves in on him.
Brown seems helpless against Page's simpering helpless act, and with the help of her grasping mother, they corner Brown into marrying Page. Crawford is devastated. Meanwhile, Sebastian's new husband (Nils Asther) is having trouble accepting his wife's "past."
A year later, the marriage between Page and Brown in rocky, especially since she's now dallying with Freddie (Edward Nugent). They show up drunk at a party where Crawford is, and the sparks fly. Brown discovers exactly how he was tricked by Page and admits if was really Crawford he loved ... and still does.
Things come to a violent climax.
Crawford and Page are excellent. Crawford does a couple of wild dances and Page excels in a drunken hysterics bit. Brown is suitably handsome. The film is also famous for its spectacular Art Deco sets and snappy jazz baby costumes.
This film established Joan Crawford as a star at MGM where she joined Marion Davies, Norma Shearer, and Greta Garbo as a queen of the lot. It also positioned Anita Page, Johnny Mack Brown, and Dorothy Sebastian at MGM as it transitioned to talkies.
This is one of the great surviving flapper films from the jazz era.