Religious movies can be outstanding. Children's movies can be outstanding. The combination may be tricky, but is certainly manageable (see "The Prince of Egypt" for reference). Sadly, "The Star" fails in both regards. There were redeeming elements, but the film as a whole lacked direction and polish.
In an audience half comprised of children, laughs were sparse, and hinged almost entirely on butt jokes. To be fair, there were some clever jokes that depended on the viewer's familiarity with scripture, but they were few and far between. It didn't help that the movie couldn't decide if it wanted to be funny, sacrosanct, suspenseful, or none of the above.
The major liberties taken with the story were for the sake of giving the movie an element of fear and suspense, and added little to the movie's message. Critical plot-altering moments came regularly out of left field with a single line of explanatory dialogue and no narrative support. With some focus, surely the writers could have done better, but their performance here is reflective of Sony Pictures Animation's trend of rushing out unfinished products.
The soundtrack was quite good in general and is probably worth owning by itself. Aside from an uninspired performance of "His Eye is on the Sparrow" by Casting Crowns, the other renditions of classics were beautiful and fitting.
I'd hoped for more from what could have been an interesting angle on the Christmas story, but I doubt it will be added to our collection. While not unpleasant, it left much to be desired.
In an audience half comprised of children, laughs were sparse, and hinged almost entirely on butt jokes. To be fair, there were some clever jokes that depended on the viewer's familiarity with scripture, but they were few and far between. It didn't help that the movie couldn't decide if it wanted to be funny, sacrosanct, suspenseful, or none of the above.
The major liberties taken with the story were for the sake of giving the movie an element of fear and suspense, and added little to the movie's message. Critical plot-altering moments came regularly out of left field with a single line of explanatory dialogue and no narrative support. With some focus, surely the writers could have done better, but their performance here is reflective of Sony Pictures Animation's trend of rushing out unfinished products.
The soundtrack was quite good in general and is probably worth owning by itself. Aside from an uninspired performance of "His Eye is on the Sparrow" by Casting Crowns, the other renditions of classics were beautiful and fitting.
I'd hoped for more from what could have been an interesting angle on the Christmas story, but I doubt it will be added to our collection. While not unpleasant, it left much to be desired.