Review of El Paso

El Paso (1949)
5/10
Too many ingredients in this bottle of salsa.
28 December 2017
Warning: Spoilers
Way too many familiar faces, plotlines, plot twists, graveyard plots and potholes on the streets of this Rio Grande River locale. John Payne takes the opportunity after the end of the civil war to move out west from Savannah and finds himself in trouble with the law while fighting against the corruption. This Pine/Thomas western, beautifully filmed in color, has the potential of being a great saga of settling and civilizing, but overstuffs everything like a 10 layer burrito. When the plot is set up with a pretty stagecoach con-artist Mary Beth Hughes hoodwinking the passengers, the predicted plot goes nowhere and her character simply vanishes until an appearance at the end.

For romance, there's pretty Gail Russell; for conflict, Sterling Hayden, and for the bulk of the laughs, George "Gabby" Hayes. The white folks live peacefully among the Spanish folk, joining in their fiestas and picking up their culture. There's hardly any racial tension, just the fights for justice between the good guys and bad guys. It is impressively filmed, but for a good majority of this 100 minute film, I pondered the basic plot, and could only come up with a simple story with a bunch of conflicts, and nothing to really tie them together. There's a touching cameo by the ancient H.B. Warner as Payne's worried grandfather, and a shootout amongst a giant windstorm, but those are "moments". The lack of a continuity factor is the nail in the coffin of this not bad but obviously missed opportunity western
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